I met with artist Phillip Stearns last weekend, who took me around his studio. Phillip is giving a class through Harvestworks beginning Monday titled DIY Synth Building Intensive, and he began by showing me the kind of projects he intends to teach students to build in the workshop.
Phillip explained that he enjoys the opaque process of working with CMOS logic integrated circuits, which he finds to be more physical, user-friendly and transparent than working with Arduino. CMOS allows him to essentially program without a computer. Sounds in the instrument below can be modified by moving the patch cables around the breadboard. Phillip demonstrates:
There is one single oscillator, and the pins control the octaves. In his workshop, Phillip will instruct students on how to build an oscillator. Once one learns this basic step, they can then take the instrument further by making multiple oscillators or by mixing or dividing signals.
Every day an incomprehensible number of new digital media files are uploaded to hosting sites across the internet. Far too many for any one person to consume. Infinite Glitch is a stream-of-conciousness representation of this overwhelming flood of media, its fractured and degraded sounds and images reflecting how little we as an audience are able to retain from this daily barrage.
Infinite Glitch is an automated system that generates an ever-changing audio/video stream from the constantly increasing mass of media files freely available on the web. Source audio and video files are ripped from a variety of popular media hosting sites, torn apart, and recombined using collage and glitch techniques to create an organic, chaotic flood of sensory input.
-- FROM THE ARTIST'S STATEMENT
Intersections: Cinema, Performance, Networked Media, and Politics