The spectacular view of the starry sky has long been a source of delight and curiosity, but the abundance of artificial light in urban areas produces a glow that covers the stars in the firmament. The largest mirror ball ever made was suspended from a construction crane 50 meters above the ground to render the starry sky to the citizens of Paris for one night in the Jardin du Luxembourg during the Nuit Blanche event. (photo Émilien Châtelain)
Children love Ahmet Öğüt’s Exploded City. Its miniature edifices are suited to the kid’s-eye-view; youthful height allows the same unobstructed vistas into the cityscape as one of its citizens might have. A further draw for children: there’s a model train underfoot (directly; museum security was busy), albeit stationary. And certain of the city's scaled buildings do resemble dollhouses, although there are no dolls here. Nobody lives in the Exploded City; there are no figurines amidst its reproductions. This vacancy is probably for the best, since Öğüt’s piece—on view at the Berkeley Art Museum until April 11, 2010—is composed entirely of models of buildings that have been damaged or destroyed by terrorist strikes since the 1990s. The structures may be in their inviolate form, but nevertheless, human models placed throughout the doomed buildings would impart a macabre note to the city.
N Building is a commercial structure located near Tachikawa station amidst a shopping district. Being a commercial building signs or billboards are typically attached to its facade which we feel undermines the structures' identity. As a solution we thought to use a QR Code as the facade itself. By reading the QR Code with your mobile device you will be taken to a site which includes up to date shop information. In this manner we envision a cityscape unhindered by ubiquitous signage and also an improvement to the quality and accuracy of the information itself.
Tender Prey is a modular, synchronized 3 to 6 channel video and sound installation expansion of an earlier work "Organic Urbanic" from 2002. Inspired by satellite images, urban plans, kaleidoscopic examinations and signal interceptions. It is a cortex of an imagined city. Aerial videos are joined into science fiction panoramas, in-versed fields of digitalia and disquiet, scenarios of urban out foldings forming metallic robotic ornamentations. Tel Aviv is the dirty digital city behind "Tender Prey". It is featured in ultrasonic transparency, amplified, duplicated and warped.
Ana Maria Tavares is known for installations employing materials such as steel, glass and mirrors. Resembling architectural structures, her installations call to mind the artificial, emotionally vacuous atmosphere of airports, office buildings, and other forms of urban architecture. Through her re-deployment of industrial architectural materials, such materials lose their function, and viewers are subtly thrown off balance in their physical experience and sense of time. Recently, Tavares has been creating films in which steel columns connect with stairways running in all directions. By introducing reflections she renders the space in the films all the more complex. Airshaft (to Piranesi) (2008) examines the realities of human circulation through anonymous urban spaces as found all over the world. The video depicts a modern architectural space in the manner of the complex, labyrinthine expanses depicted by the 18th century Italian artist Piranesi, but wavering fluidly like a mirage. The chaos of Brazil’s enormous urban spaces is reflected here. Tavares’s videos produce an encounter with “somewhere” that is not quite “here” and make us aware of how unreal our reality can be.
TXTual Healing was created in the early days of 2006 by Paul Notzold and has become a collection of interactive public projections and performance formats that encourage creation of dialog through text messaging from mobile phones. Whether interacting with custom digital signage, or live performers TXTual Healing builds community through public story telling via the mobile phone.
"Life-size posters of Google Street View images removed from the internet and pasted in same location in the physical world. Monuments to spaces and moments that no longer exist."