Index of Rhizome Today for August

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Rhizome Today is an experiment in ephemeral blogging: posts written and published each morning, and unpublished within a day. The latest post can always be found at http://www.rhizome.org/today.

After some discussion about the best way to wrap up each month's posts, we've decided to publish a list of topics and people covered on Today during the preceding month. Here is the index for Rhizome Today in August, 2014. 

Topics

  • Amazon (8-Aug, 11-Aug, 26-Aug)
  • ARE.NA (20-Aug)

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Thank You. Now, we have work to do.

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Tracy Jeanne Rosenthal and friends. 

After a successful conclusion of our 2014 Community Campaign yesterday, there are many positive feelings, and many things to say.

The format was an experiment. Our annual campaign, which is a significant part of our income each year, was shorter than ever before. We recognize that nature of online giving has changed since we started our appeals in 2001, and are sensitive to this now-crowded space. Inspired to innovate with our format by the success of 2009's $50,000 Web Page (which is still online, and well worth a look), we hoped that a grand finale, the 24-hour Internet Telethon, would carry us over the edge of our $20,000 goal. It did, in dramatic fashion. With just 20 minutes left, longtime Rhizomer and Telethon participant Tom Moody made the donation that carried us over the finish line.

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The Commenter: A Lament

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This post was composed in one hour in front of an online audience for the Rhizome Internet Telethon 2014.

Tom Moody, Double Buckyball (detail of work in process), 2004, mixed media, approx. 60 x 40 inches.

Nearly a year ago, and not long after I started working at Rhizome, I published a post called “Breaking the Ice,” inviting the community to leave their thoughts about our curatorial and editorial direction. It took a while to get started, but eventually some of the Rhizome old timers latched on and got the ball rolling. As my introduction to the Rhizome community in my new role, it painted quite a picture. Heated opinions were debated, n00bs were put in their place, and frustrations were vented. Despite a sometimes negative tone, I was excited by the energy that people brought to it. And the fact that, y’know, people were commenting on Rhizome.org, a non-profit website that serves as an important cultural archive, rather than on a for-profit site that will sell your data to the highest bidder.

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Rhizome's 24-Hour Telethon: Lineup Announced

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For 24 hours from 11am on Wed, March 19 (EST) on Rhizome.org, and broadcasting live from Lu Magnus. 


Our volunteers will be manning the phones.

Our campaign still has some way to go to meet our $20,000 target, but our friends around the world are going to help drum up donations via our home, the internet. Donate in advance to receive a special thank you during the telecast! 

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Collecting Contemporary Art Means Collecting Digital Art

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Petra Cortright. RGB,D-LAY, 2011. Webcam video file. Edition of 5. 1 AP. Courtesy of the artist and Steve Turner Contemporary, Los Angeles. 

Last night, Rhizome was the beneficiary of the Paddles On! auction at Phillips auction house. Curated by Lindsay Howard and co-organized by Phillips and Tumblr, the auction brought together works under the banner of "digital art." While the sale of artworks that engage with digital technology is nothing new, there was something remarkable about the scene last night. Magda Sawon tweeted that it was "like parents forgot to lock the house & the kidz had a great party!" (She also added, "One day it may be their house or they burn it," but that's just typical gallerist-auction house repartee, we're sure.) Every lot was sold, and perfectly-coiffed bidders competed not only over digital prints, sculptures, and Petra Cortright's digital painting, but also over Jamie Zigelbaum's interactive installation and Rafaël Rozendaal's website. Rhizome was the grateful beneficiary of this frenzied activity; we received 20% of the proceeds, with the other 80% going to the artists, and when the last gavel fell, nearly $18,000 had been raised on our behalf, which will help us continue to expand our efforts to commission, contextualize, and conserve technologically-engaged artwork.

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