Aquarelles (1980) - Tom DeWitt, Vibeke Sorensen and Dean Winkler

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Video by Tom DeWitt, Vibeke Sorensen and Dean Winkler. Music by Vibeke Sorensen.

Originally via Diamond Variations

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QTzrk (2011) - Jon Satrom

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Wetpaint (2011) - PaintFX

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Originally via Today and Tomorrow and Painted, ETC.

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Selected Works from Tobias Madison's "Drawings" at Haus Konstruktiv in Zurich

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Originally via Contemporary Art Daily

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Exposé (2010) - Twain Team

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Arduino: The Documentary (2010) - Rodrigo Calvo Eguren and Raúl Díez Alaejos

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Originally via mediateletipos

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Voyage (1981) - Dean Winkler, Tom DeWitt, Vibeke Sorensen and Robert Lund

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Video by Dean Winkler, Tom DeWitt, Vibeke Sorensen and Robert Lund.
Music by Tom DeWitt and Vibeke Sorensen.

Originally via DIAMOND VARIATIONS

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Sic: Notes from a Keylogger (2007) - Lance Wakeling

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Records kept from Lance Wakeling's computer using Sic from September 2006

As we type and edit our attention jumps from paragraph to paragraph and from program to program, leaving a trail of disconnected phrases and commands. Much of what we type is deleted before the final product is saved, but the data have not dissapeared. Sic is the record kept by a keylogger installed on my computer. Since the keylogger records every key pressed, the data contain information best kept private, but the range of information is so great and cluttered with such noise it remains impenetrable. Sic is ongoing and chronological—it is a strict, linear record of non-linear processes. From a step back, the many colored key-commands and black phrases of text illustrate an abstract and personal topography of thoughts and actions. The illusion of Sic is that everything is displayed, but the reality is that without the final products of the labor to compare, the record will always be incomplete, and will remain pieces whose sum is less than the sum of the whole.

-- FROM THE ARTIST'S STATEMENT ON UBU

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Interim Camp (2008) - FIELD (Marcus Wendt and Vera-Maria Glahn)

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Originally via Generator.x

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You Have a Radical Face (2010) - Andrew Benson

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Originally via Noted by Daniel Rehn

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