John Powers, artist, blogger at Star Wars Modern, as well as Rhizome contributor, might now add "script doctor" to his bio. Yesterday, he unveiled his recent project — a rewrite of the script for Prometheus. I asked Powers several questions over email about his improvements to the script:
What was your reaction to Prometheus? How does that compare with your feelings about the films Alien andAliens?
I was disappointed but still engaged. I had been looking forward to the film. After Requiem I could never have been lured back to another Alien movie, but it was Ridley Scott. And while I really don't like slasher films at all, body horror is something I've always been fascinated by. From Cronenberg's Fly, to Aronofsky's Black Swan, to Natali'sSplice, body horror has always been a genre that my imagination has latched onto. Alien is the ultimate. I would love to know the page count of academic papers written on the sexual horror of those films. When I realized Scott was making a stab at 2001 via Alien- ala a scifi film about God (but founded in body horror) I got really excited.
So Prometheus has more in common with 2001 than the original Alien?
To horribly misquote Allen Ginsberg: I saw the best minds of my generation destroyed by madness, starving, hysterical naked, dragging themselves through the exercise of filming their own 2001; A Space Odyssey.
In 2002 Steven Soderbergh made a run at it (and bombed), via Post-Soviet chic, with his remake of Solaris. In 2006 Darren Aronofsky all but destroyed any artistic credibility he had by making The Fountain, a over-blown scifi opus about life, the universe, and everything. A year later Danny Boyle did it with a little more success (but not much) with his movie Sunshine (wrote about that one). In 2010 Christopher Nolan was clearly aiming for the Kubrick-esque moon with his film Inception (I wrote a LOT about tht one). And Terrence Malick was clearly swinging for the Jovian moons with Tree of Life.
All these films excepting Inception (which is more about the film director as God, than God) are catastrophically flawed. All of them attracted A-list talent (Clooney, Jackman, Dicaprio, Spicoli...) and all were clearly passion projects on the part of their directors...