Cyborg Humanism: Wangechi Mutu at Brooklyn Museum

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Wangechi Mutu, A'gave you (2008). Mixed media collage on mylar, 93" x 54".

The violent and ambiguous encounter depicted in A'gave you (2008) encapsulates the force and intent of Wangechi Mutu's collages, the highlight of her ongoing retrospective at the Brooklyn Museum. A blue, thick-rooted, and out-sized version of the New World monocot bends to a violated female pseudo-cyborg. Her eyes, cheap black speckled pearls, are replicated in the plant's ovary. The kneeling figure's torso, head, and left arm are thrown back in disinterested submission; her right arm is lost to perspective and/or trauma. Gold sparkle and blood explodes from her chest as she births, or pisses, a long, fat strand of bright yellow-orange which forms a new root-system beneath both her and the plant.

Mutu's strangely lucid mixed-media mylar pieces contort the sexualization of black women in consumer society into glittering, gorgeous grotesques. The twin pieces 100 Lavish Months of Bushwhack (2004) and Misguided Little Unforgivable Hierarchies (2005) feature female figures hobbled with hippo hands, faces stitched together from pornographic images, golden skin, and exploding motorcycle high-heels. They also depict differing levels of power among multiple exploited figures. The End of Eating Everything (2013), Mutu's first foray into film, features the head of Santigold gnashing a gyring flock of black birds with bloody chompers. Slowly, the plane Santigold exists on expands to reveal that her face leads a massive she-planetoid, comprising writhing limbs and embedded, useless machinery, powered by her/its own gaseous effluent. The piece is truly disconcerting and accentuates Mutu's often overlooked theme of ecological disaster.

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General Web Content: Netflix's Three Wolf Moon, "Example Short 23.976"

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Youtube rip of Example Short 23.976

In May of 2010 Netflix posted what appeared to be two internal test movies shot around the Netflix headquarters in Los Gatos, CA. Titled Example Short 23.976 and Example Short 24, the films could not be found by simply browsing the Netflix site, but were instead picked up by users of unofficial twitter feeds and websites that update with each new streaming title. At slightly over 11 minutes long, the film features a kind of in-house stock footage intended to demonstrate a variety of audio-visual effects, such as time-lapse and looping. The short film also includes a series of strange, non sequitur scenes featuring a hand running through a fountain, a toy train set running on a loop, a man moonwalking while holding a laptop, the same man running erratically between trees, and finally the man reciting Marullus' speech from Act I, Scene I of Shakespeare's Julius Caesar before shifting to a series of popping and clicking mouth noises. The film ends with a blinking white dot and a series of gridded test patterns.

The films can be difficult to find using the Netflix site, but each version of the movie has its own page and is open to view and review. Much as with the Three Wolf Moon "power animal" t-shirt that gained massive popularity on Amazon.com in 2009, users began rating and reviewing the films sarcastically as artistic works rather than technical footage, praising the symbolism of hand-in-fountain or critiquing the film's "blatant liberal agenda." Other reviewers seem to have missed the punchline, rating the film poorly and demanding an explanation for the film's otherwise glowing reviews. Netflix has subsequently released the short in a variety of forms and at various lengths, in one case looping ...

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