Dancing About Architecture: Artists' reponses to the built environment

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Former Ministry of Highways Building, Tbilisi.

There is a sense in which all architecture is authoritarian, regardless of its ideals. No matter how many community meetings a planning process incorporates, in the end only one building may be built; one architecture, which by its very existence precludes another. The eventual users and non-users of the space may make minor modifications. They may open or close windows, but in the end they must deal with the consequences of the building, whether it is a postwar housing project or a San Jose strip mall. They must negotiate its little manipulations, and have little in the way of recourse if these should become oppressive.

Artists, at least of a particular bent, are not the sort to take authority at its word. Even under the most oppressive of conditions artists find ways to critique and to criticize, and to present alternate theories of the world. They respond to all forms of power, architecture included, through gestures that range from the most basic act of graffiti to Ai Weiwei's "studies of perspective."   

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