Who Sleeps? Jonathan Crary's "24/7"

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Andy Warhol, Sleep (1963). 

Labor Day is supposed to be a day that honors those of us who work for a living with an extra day of rest. I'm writing this on Labor Day, at home on my own laptop, avoiding a long list of other tasks I need to attend to in order to keep my work, and my life, manageable. That work happens all the time and increasingly also at the worker's own expense isn't news, but it helps bring into sharp, urgent focus the arguments in Jonathan Crary's terse, polemical new book, 24/7: Late Capitalism and the Ends of Sleep.

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The Voluptuous Blinking Art of Teletext

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With its blocky, low-res graphics and clunky interaction, the television-based information retrieval system known as teletext seems out of place in today's world of touchscreens and flatscreen TVs. But in an excellent blog post on the history of teletext art posted Friday, Goto80 (aka Anders Carlsson) pointed out that the medium is still very much in use in several European countries. In fact, the iPhone and iPad app for Swedish teletext was one of the most popular iTunes downloads in that country 2011. And as Carlson writes, among the latter-day fans of the medium are numerous artists, from JODI to the participants in the 2006 Microtel project that inspired the title of this article to the participants of the second annual International Teletext Art Festival (through September 15).

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