
Michelle Ceja's Wet Code opened earlier this month in Klaus von Nichtssagend's Lower
East Side venue, an installation marking the launch of the gallery's new online
exhibition space. Initially shown as a browser-based collage of gifs, Quicktime
video, MP3s, and HTML, Wet Code also
existed as a one-night installation of projections bearing a similar aesthetic.
Klausgallery.net will see rotating two-week online exhibitions curated by
artist Duncan Malashock, with periodic in-real-life installations by artists in
Klaus Gallery proper. "We wanted to accommodate artists whose practices
wouldn't ordinarily fit into a physical exhibition space," says Sam Wilson,
co-owner of Klaus von Nichtssagend, "Now it's kind of like we have another wall
in our space specifically made for this kind of work." Adds fellow co-owner Rob
Hult, "It was also a way to satiate a growing curiosity about artists working
with the medium. I saw Duncan speak on the history of internet-related art
practices at Nurture Art and felt compelled to ask him to work with us on an
online project."
Many conversations later brought Klausgallery.net, which
developed from a more modest singular art project to a full-blown online
exhibition space.
As it stands, the artist line-up may seem like a who's-who in a current internet social sphere to some, building on the
web-specific dynamic of building one's practice in tandem with and through a
community of peers. Though many included in Malashock's participant list are
connected socially via the internet, specifically via Facebook or through the
surf club Computers Club, it also ranges widely in geographic location and
practice, from established Dutch artists Constant Dullaart and Harm van den
Dorpel to more emerging Stateside artists Bea Fremderman, Sara Ludy, and Billy
Rennekamp. Presciently, Malashock has chosen many artists whose work
successfully navigates ...
MORE »
Dr Eugenia Fratzeskou