It should come as no surprise that under-recognized post-punk band Crash Course in Science met while attending art school in Philadelphia in 1979. Band members Dale Feliciello, Mallory Yago, and Michael Zodorozny experimented with the then-burgeoning musical genre by replacing the jangular and distorted guitars, rhythmic drums, and synthesizer beats with childhood toys and common kitchen appliances. Their choice of instruments was born out of curiosity as much as necessity: How could they create the music they wanted with their limited student resources?
Thankfully, their choices resulted in a sound uniquely their own: peculiarly original minimalism vocals mixed with danceable and downright catchy beats. Coupled with a need to express and explore their interest in performance art and music, their final product in such songs as “Cakes in the Home,” and “Cardboard Lamb” resonated for years after. The band is frequently regarded as an influential force in the electro sound and the techno industrial genres.
I recently spoke with Zodorozny about their initial interest in performance art and how it influenced everything from their live shows to the creation of their Frankenstein-like instruments.
You've been classified as a post-punk band. Would you consider that to be an accurate term for your sound and aesthetics?
Crash Course in Science was formed in 1979 so we would consider being referred to as post-punk band accurate. We were inspired by punk-rock music and we we’re all big fans of the genre. We were also inspired by the work of Brian Eno prior to the punk explosion. As artists and songwriters, Crash Course in Science became a format for our expression.
Can you tell me a little more about the performance art aspect tied to the band? What was/is your history with performance art?
The three of us performed personal performance ...