Elements of Vogue: A Conversation with Ultra-red

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Ultra-red is an activist art group founded in 1994. The group proposes an alternate model for art and activism, one in which it is not the artist's critical intervention that serves as the source of cultural action, but rather that art might contribute to and challenge the process of collective organization and relationship building itself.

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Videos from Gatekeeper's Giza by Thunder Horse Video and lenox-lenox

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These six music videos by the band Gatekeeper debuted last week on the blog 20jazzfunkgreats. The videos are a dark, hallucinogenic romp, featuring slick computer graphics and repurposed scenes from horror and anime films. The videos are directed and edited by Thunder Horse Video, with the exception of "Mirage" which features original computer animation by the team lenox-lenox. All the songs are off their new EP Giza on Merok Records.






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Turbo Sculpture (english) (2010) - Aleksandra Domanovic

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Voice Operated: On VOICE: Vocal Aesthetics in Digital Arts and Media

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VOICE: Vocal Aesthetics in Digital Arts and Media, a new anthology edited by Norie Neumark, Ross Gibson and Theo Van Leeuwen from MIT Press, takes stock of the voice’s various transformations in the arts in the wake of the technological innovations of the digital age, and the ways in which artists anticipated these changes. One might expect musings on Barthes, man vs. machine, hauntology, linguistics or body politics, and those are all here; but there is also a refreshing and suitably wide-ranging cross-section of pop cultural examples and namechecks (Wolfman Jack, Portishead, Winnie the Pooh, BioShock, Meshuggah). Beyond its interdisciplinary parameters, the more theory-oriented papers are counterbalanced by an experimental essay (Theresa M. Senft’s “Four Rooms”, which juxtaposes phone sex, cancer care tapes, a voice recognition program, and Alvin Lucier’s “I Am Sitting in a Room”), a poem (Mark Amerika’s “Professor VJ’s Big Blog Mashup”), and a meditation (Michael Taussig’s “Humming”). The multiplicity of forms and inclusion of writerly as well as scholarly voices create an appropriately reflexive resonance.

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Eula (2007) - Brian Joseph Davis

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Several years ago, forward thinking Sony/BMG created a new form of music by creating CDs with computer viruses and hidden contracts. This is a cover, by a women's chorus, of Sony's best song, End User License Agreement.


Originally via UbuWeb

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OnceInAThousandYears.com (2010) - Angelo Plessas

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RETOUR DES ÉTOILES (2010) - Sabrina Ratté

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You Have a Radical Face (2010) - Andrew Benson

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Originally via Noted by Daniel Rehn

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Sir Sampleton by SOFTOFT TECHECH

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Artist Paul Slocum's new software company SOFTOFT TECHECH just launched a new app for the iPhone, iPod touch and iPad. Named Sir Sampleton, the app mimics the functionality of the cultish Casio SK-1, allowing the user to sample sounds through a microphone, which can then be played on the keyboard. You can modify the vibrato, note trail length and sample time of the recordings, and the app has a small rhythm bank. Short demo video above, you can download the app here.

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The Sound of Facebook (2010) - Ryder Ripps

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GREECE

SCOTLAND

SPAIN

In the following page I attempt to discover how people around the world are using the largest social media website, Facebook, as subject in song. In this collection I pull videos from YouTube users of many cultures and nationalities who are preforming songs which deal with Facebook - in doing this, I find points of continuity which will be addressed bellow.

-- FROM "THE SOUND OF FACEBOOK"

Originally via DIS Magazine and VVORK

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