The Never Forgotten House

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This essay will also appear in the next issue of Pool. 

Image of Williamsburg Waterfront by C-Monster, April 30, 2006.

Several weeks ago, I was leaving a party in Park Slope. As I waited to cross the street, I recognized two places across the way and realized I had eaten meals at both. I had brunch with a friend in the cafe at the corner last year. I met another friend for dinner two years earlier at the Thai restaurant at the address next. I remembered two separate phone calls with each friend explaining how to get there from the 7th Ave station. The second call, and the second walk from the stop didn't remind me of the first. It took a third visit to that intersection, and from that vantage point —across the street —to discover the venues were neighbors. Two pleasant but very different conversations came back to me at once.

I had a decade’s worth of weekends in New York City before I finally made the move last year. Chinatown buses from Washington, DC and Boston; cheap flights out of Chicago Midway that left Friday evening and arrived before work on Monday. Sometimes I visited as often as twice a month, for special events or a guy or no reason. With the insouciance of an out-of-towner, I never bothered to follow how a taxi gets from one point to another or which direction the subway train was headed when we got to the stop. Now that the city is my home, I'm constantly uncovering another fragmentary long forgotten memory.

I will never know if some of the places I remember from these early New York trips have been torn down or exist on streets I haven't walked by again yet. I refuse to ...

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Brody Condon - Without Sun (2008)

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Brody Condon Without Sun (Video), 2008 Found performance documentation, 15 min

Named after the classic Chris Marker video Sans Soleil, Condon’s Without Sun is a edited compilation of “found performances” of individuals on a psychedelic substance. Images and sounds from the various clips collected from the internet overlap and combine into one seamless experience, creating a 15 minute pseudo-narrative focused on the exterior surface of their "projection of self" into visionary worlds. Condon’s global players in Without Sun have recorded themselves looking at the camera this time. Taking up where Marker left off, these (inner) travelogues question memory, perception, and the effects of current participatory media and technology on culture.

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