Turn On, Tune In, Zoom Out

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DREAMCAPTCHA #006 from blackmoth on Vimeo.
Video: Dreamcaptcha #006, 2008

Kari Altmann is a Baltimore-based artist who initiated the collaborative project Netmares and Netdreams. She agreed to do an interview ahead of the project's residency on Sunday March 15th at Capricious Space in Brooklyn as part of the program In Real Life. - Brian Droitcour

Netmares and Netdreams is going to be featured "in real life" at Capricious Space in Brooklyn. How is this going to be different from the first incarnation of Version 3.0, at Current Gallery in Baltimore? What were some of the challenges you encountered when displaying an online project in physical space?

The opportunity to do version 3.0 of the show arose very suddenly. Current gave us just two weeks to put everything together. But I knew that if we didn't accept that challenge, we might never do the show at all. It wasn't ideal, but it was also perfect luck, because it needed to happen in a space like Current while we had some momentum. We just said yes and pushed through the limitations, which is how we do a lot of things.

Some netdreamers were confronted with the question of how to present things offline for the first time, and they needed to experiment with the options. We didn't have computers for the show, which I was okay with, but we also had zero budget and very limited gear. We wanted to make it the most “real” show we could without all the resources. A lot of things ended up as prints or videos. We debated over whether or not certain pieces still functioned in the way they were presented. If someone didn’t answer an email or send their piece in time, it would affect the way everything ...

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X (2009) - Chris Coy

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The Circle of Life (2007) - drx

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transformer fire (2008) - Paul Slocum

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My Ceiling Fan (2009) - Chad Corbi

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As If Pulled By A Magnet (2008) - Alexandr Skarlinski

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waves (2008) - Joshua Schwartz

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35min looped HD video

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Bucking the Pseudonym

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Image: Rick Silva, Antlers Wifi, 2009

Calgary-based Brazilian-American artist Rick Silva is a man of at least as many talents as identities. Perhaps this can be chalked-up to the fact that he studied under and often collaborates with pseudonymous hypertext pioneer Mark Amerika. But last week he unveiled a collaboration with himself in which he's finally ready to disclose that he is the artist previously known as Abe Linkoln. Antlers Wifi merges the stylistic affinities with which both names have been associated. Linkoln anticipated the "pro-surfer" net art movement with Screenfull.net, his first collaborative work with Jimpunk, the motto of which was "we crash your browser with content." He's continued to push this aesthetic over the last five years while helping to establish "blog art" as a genre, and Triptych.tv (with Jimpunk and Mr. Tamale) is evidence of his ongoing interest in web-based group remix blogs. But Antlers Wifi is a step in a solo direction, bringing a copy/paste aesthetic to original animations. If Linkoln is the product of Amerika, then Silva is the product of Stan Brakhage, with whom the artist also studied. He refers to the site's multi-layered digital collages as "poems about light and nature" and indeed they have all the flickery appeal of Brakhage's performatively-composed films. The project is an interesting move on the heels of Silva's high-def Rough Mix, which playfully compared the practices of scratching images as a filmmaker and scratching records as a DJ. It also conveyed a deep interest in nature appropriate to someone who came of age in the mountains of Colorado. The videos posted at Antlers Wifi build upon each other while leaning on the time-based format of the blog. Now in its second week, Silva anticipates archiving his posts on a ...

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now vs. then vs here vs. there vs this vs. that vs me vs. you vs. us vs. them (2008) - Hayley A. Silverman

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Subterranean House (Oonce Oonce) (2007) - Michael Bell-Smith

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