The Museum of Modern Art is making headlines in the wake of its recently opened exhibition, Soundings: A Contemporary Score (recently reviewed for Rhizome by Sam Hart). Organized by Barbara London, associate curator in the department of media and performance, and Leora Morinis, curatorial assistant, the exhibition stands as the museum's first major presentation of sound art.
Soundings thus marks a pivotal moment in the history of sound in the arts, as one of the world's most influential art institutions converges with a longstanding tradition of sound-based artistic practice for the first time. I met with London after seeing the show to discuss the exhibition and her curatorial process. The following is an extract from the full transcript of our conversation.
Camille Norment, Triplight (2008). Microphone cage, stand, light, electronics. Courtesy the artist.