Artist Profile: Laura Brothers


slip ohno, 2011

Browsing through your work it becomes clear that iteration is an important part of your process. In one of your more recent works, titled cathy drawl, you create six versions themed around the same formal elements. How does the process of iterating around a particular element contribute to your work?

I assume that the way in which my work is normally viewed is through the action of scrolling. You’re on a computer and you are gliding the images in succession past your gaze. I liken this to a sort of super slow motion film strip. It’s a way of storytelling. For a post, each individual image is viewed in relation to the one that comes before it and the one that follows. Meanwhile, they are all sort of floating in an endless black space. There’s no real clear-cut definition between the images in this context. So to me, within each post, each distinct image is really part of the same piece; the same story. In the case of cathy drawl, it was a matter of showcasing the underlying elements of the images and then building on them; transforming them like characters in the panels of a comic. I find the basic formal elements of the images to be what dictates the inclusive mood of the more elaborate pieces so I tend to want to pull them out and show them in isolation but still in conjunction with the compounded imagery. It’s usually about trying to find a gentle balance within my work for how the principal imagery is rendered; spreading from a subdued minimal execution to an overkill of maximum complexity.

In truth, the iteration is also largely a result of my tendency to want to post too much. The blog began as ...