Artist Profile: Katriona Beales

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Constant Screen (2012) limited edition poster to accompany 'Constant Screen' video installation 

 

Much has been made of our networked present’s utopic possibilities, but it feels like a wave of anxiety and skepticism is emerging to counter the web optimism of individuals like Clay Shirkey. Is it right to read your work as an investigation into how usage of the Internet may not be altering how we think, feel, and interact for the better?

At the heart of my practice there is tension between fascination and wariness with new technologies, specifically the meshing of mobile telecommunications devices and the Internet. It is not an ambivalent position but it is conflicted. So yes - in part.  

On the one hand I am intensely excited by the simultaneous nature of display, consumption and production that these interfaces encourage. I also understand the conditions of the digital (binary code that can be endlessly replicated) as fundamentally supporting information overload and excess, but see so many possibilities in embracing the torrent of information rather than attempting to oppose it.

At exactly the same time, I am wary and perhaps even frightened at moments. I can be a bit of a conspiracy theorist and as Internet space becomes ever-more commodified and our online lives are increasingly channeled through multi-national companies I do worry. I don’t, for example, like the feeling of being locatable through the GPS facility on my phone. I am a bit of a McLuhanite (I keep returning to, and re-turning ‘the Gutenberg Galaxy’) and when he states “any technology gradually creates a totally new human environment”, my response is to question what type of human environment is now being created and what type of human? Are these rapidly mutating environments ones that are conducive to human beings – or at least the human ...

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