If Don Buchla, mastermind of early modular synthesizers, was the technician behind the lysergically tinted spiritualism of countless ‘60s timbric explorations, Peter Blasser is an audio alchemist: technician, musician, and guru rolled into one. Blasser’s electronics company based in Baltimore, Ciat-Lonbarde, produces small runs on some of the most ingeniously quirky electro-acoustic audio systems on the market.
I visited the one-day exhibition “Sequence of Waves” last weekend at St. Cecilia’s Convent in Greenpoint. 40+ artists were included in the show, and it was a culmination of a two-week residency within the space. The building itself – a 19th century convent – is impressive, and it’s always a treat to see how artists respond to the environment. While “Sequence of Waves” was not exclusively a sound art show, many of the invited artists did work with sound.
Titled Lo Siento por Sonido by Victoria Keddie and Jessica Findley, this work was a playable zither instrument whose strings extended over two rooms, and fed through furniture found within the building. (You can listen to a sound sample here.)
Ben Wolf disassembled a boat and used the parts to complete a sculpture within the stairwell, which stretched out over three floors.
G. Lucas Crane piled amps in the basement, which amplified sounds from microphones placed throughout the convent.
Currently in the prototype stage, Darkgame is a sensory deprivation computer game. The user wears custom made head gear, which triggers sensations. For more information about the project as it progresses, check the site.
By combining a recently developed mobile software application with the multimedia facade of the ARS Electronica building we intend to lower participation barriers for end users when interacting with such facades. We developed two prototypes: in the first application, users can paint interactively on the building using touch input on the mobile device. In a second application, users are able to solve a jigsaw puzzle displayed on the facade. iRiS (Immediate Remote Interaction System) is a joint research project from the University of Saarbrücken, Germany and University of Munich, Germany.
-- FROM THE PROJECT SITE
In this short clip, from a segment on artist Krzysztof Wodiczko from the Art21 episode Power, designer Adam Whiton of MIT's Interrogative Design Group talks about developing technologies for Wodiczko's complex interactive installations.
VernissageTV interviews artist Ulrich Fischer on the occasion of the presentation of Walking the Edit as part of Image-Mouvement at the Centre d’Art Contemporain Genève. More on the project below from VernissageTV:
Conceived by Ulrich Fischer, the system allows the user to create an individual video using already existing images that are connected to a certain place via geotagging. Depending on which route one takes and how fast the user walks, an individual movie is created.
Technically, “Walking the Edit” is based on GPS, geotagging, iPhone app and iPhone. By walking through the streets, the iPhone reveals and collects the audiovisual memory of the place. While walking you hear the movie that you are just editing. Once the movie is finished, you can watch it online on the website and share it with other people.
Shana Moulton and Nick Hallett's epic multimedia one-act opera Whispering Pines 10 will run at the New Museum on Saturday and Sunday, January 8 and 9, 2011. If you missed the performance of this piece at the Kitchen last Spring, now is your second chance to see the show! Read more about Whispering Pines 10 below, and be sure to pick up your tickets early through the New Museum site.
Note: We ran a short essay in Rhizome News by Brian Droitcour on Moulton's series Whispering Pines when the opera debuted, check it out.
Whispering Pines 10 is a one-act opera by artist Shana Moulton in collaboration with composer Nick Hallett, and featuring vocalist Daisy Press. It features a live performance by Moulton as her alter ego Cynthia, a hypochondriac agoraphobe prone to colorful hallucinations and absurd fantasies. While Cynthia seeks health and total happiness within her virtual environment—an interactive video set that utilizes real-time multimedia techniques its creators call “live animation”—she usually settles for fad cures and new-age kitsch, creating situations in turn comic, contemplative, and surreal.
Whispering Pines is the celebrated video serial created by Moulton in 2002 that has previously spawned nine episodes, along with related performances, videos, and gallery installations. Whispering Pines 10—the latest installment—is an innovative performance hybrid that incorporates elements of traditional opera into contemporary video and performance art. Its premise—a woman alone in her private environment, aided by technology—enables a flexible sensibility wherein popular and experimental forms can mingle. The original music and libretto composed by Hallett takes advantage of the narrative’s dream logic to weave what is essentially a pop music vocabulary into an experimental idiom, enabling a virtuosic exploration of the human voice. As the protagonist does not effectively speak, the sounds ...