Serial Experiments for a Better Future: Holly Herndon's 'Platform'

(0)

Ever the defender of the laptop as a gateway to more accurate and speculative expressions of the self, Herndon goes for the throat of the issues of our contemporary future with her second album, Platform

Having gathered together several collaborators with varied abilities and perspectives, she holds a sort of speculative symposium in the form of ten audio tracks. Her focus is the "exit" to a new "platform," a collaborative space in which possible futures may take shape. There is a brighter future ahead in Herndon's world; technology has the effect not of separation, but of creating a deeply intrinsic closeness and intimacy strewn through collapsed spaces. The laptop: the medium is the message, is the massage.

Drawing on the work of philosopher of design Benedict Singleton, Herndon is proposing a mechanization of "platform dynamics theory.” Traditional planning for the future will always fail in the face of complexity and contingency, the theory goes, so instead we should focus on the design of platforms—the material and social infrastructures we inhabit, which have certain affordances and limitations and therefore open the way to different kinds of futures.

Herndon’s album, as a collaborative space for development, is offered as one such platform. The future is cooperation; Herndon has moved on from thinking about the laptop as an extension of the body to thinking about it as a platform through which a superstructural, collective experience can be had. Along with “platforms,” the album’s other essential keyword is "exits," signaled by the title to Track 06, “An Exit.” Exits leading from our present situation to new platforms, that is, rather than escapes to impossible utopias.

READ ON »


Seven Big Ideas from Seven on Seven 2014

(0)

Frances Stark and David Kravitz during the Seven on Seven work day. Photo: Ed Singleton.

The fifth anniversary edition of Rhizome's Seven on Seven took place on Saturday. The project pairs seven leading artists with seven influential technologists in teams of two, and challenges them to develop something new–whatever they choose to imagine—over the course of a single day. The results were unveiled to the public on Saturday at the New Museum, and are recapped here.

#1. Occupy invented #normcore

In the keynote, Kate Crawford suggested that K-Hole's #normcore trend report, as well as the Snowden-leaked GCHQ Powerpoint, could be read as manifestations of the anxieties of an age of mass surveillance, those of the surveillers and those of the surveilled.

READ ON »


Continuous Partial Listening: Holly Herndon in Conversation

(3)

After completing her informal education in Berlin's underground club scene, artist and musician Holly Herndon relocated to the Bay Area to pursue an MFA at Mills College's esteemed music program. Now continuing her studies in computer-based music at Stanford, Herndon has an inquisitive approach to technology, finding common threads among often-divided disciplines and communities: electronic music, academia, the tech sector, and contemporary art. As a result, her work is not easily categorized, whether she's composing music for brass ensembles or working on robotic sculptures with artist Conrad Shawcross, touring festivals in Europe or making dance music with heavily processed recordings of the human voice. This week, she released a 12" entitled Chorus on RVNG Intl

Ceci Moss: Your new 12" Chorus comes out this week. The title track recalls the experience of continuous partial attention in online browsing, using audio samples derived from your own daily browsing. Chorus begins chaotically, taking form with the addition of percussion. Could you discuss the ideas behind this composition? Also, what did you use to sample your browsing history, and how did you technically create the track?

READ ON »