In Street With A View, artists Robin Hewlett and Ben Kinsley take a fresh approach to the age-old practice of street theater. Working in tandem with the Google Street View team and the surrounding community of Sampsonia Way in Pittsburgh, Pennsylvania, they staged a number of playfully silly scenes, ranging from the laboratory of a mad scientist to a seventeenth century sword fight, which now appear in Google Street View. These acts introduce a vibrancy normally omitted from the utilitarian Google Street View feature, while also opening up the possibility of collaboration between artists and the company.
In this work by Pascual Sisto, a plastic bag obstructs the Google Maps Street View of Minnie Street in Fairbanks, Alaska. Discovered while researching Google Maps Street View, Sisto preserves this "found object" by redirecting it to its own url, lastbreathinalaska.com, as well as capturing it as a back-up video, in case Google decides to reshoot the location. Swirling on a constant panoramic loop, the movement of the camera gives the abstract image an almost 3D-like quality. The piece documents Google's fraught attempt to supply an accurate representation of Minnie Street, and, as such, Sisto sees Last Breath in Alaska (Found Object) as a response to the purportedly omniscient eye of the Street View feature, and the issues of transparency and privacy it raises. - Ceci Moss
This Google "steet view" van image by Joe McKay is created entirely from reflections of the van in store windows in San Francisco.
Sex and teletext, e-commerce and elektronische tanzmusik collide in The Sound of eBay, the latest internet intervention (and a 2008 Rhizome Commission) from Ubermorgen.com, which generates unique low-fi electro tunes from individual users' eBay data. Visit the project's site, generously decorated with 8-bit teletext porn, and enter your (or anyone's) eBay moniker and an email; a specially-tailored mp3 arrives in your inbox in a matter of hours. According to Ubermorgen.com's own account, an invisible army of bots scours the World's Largest Online Marketplace (tm) to scrape data and bring it back to be transformed into music. How a given user's actual data corresponds to the structure and content of each tune is not evident to the listener, but relates to the eBay-Generator application's own idiosyncratic system of producing and processing hashsums from user-to-user transactions: more frequent eBay bidders may receive denser compositions, and two different songs created from the same username can differ. In the future, the creators of eBay-Generator plan to release the application under a GNU Public License. The Sound of eBay concludes a trilogy of works by Ubermorgen.com--otherwise known as the artists Lizvix and Hans Bernhard--including GWEI (Google Will Eat Itself), an economic ourouboros that generates money off Google text ads then uses the income to buy Google stock, and Amazon Noir, which exploited Amazon's "search inside" function to create pirated versions of full books. Unlike these latter acts of digital ju-jitsu, the parasitic Sound of eBay has a relatively benign relationship to its host organism. Celebrating with only partial irony the auction giant's peer-to-peer distributed capitalism, the Sound of eBay offers a way to shake one's booty to the hidden rhythms of electronic commerce. - Ed Halter
Ubermorgen.com, the Sound of Ebay "Visuals" (Screengrab ...