Inauguration Overload

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Move over holographic reporting! With Obama's inauguration coming up tomorrow, many news organizations are experimenting with innovative ways to address the event. Here's a short list:

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Image: Design by Paula Scher, from the upcoming edition of the Guardian G2

  • Graphic Designers and Illustrators Reinterpret Past Obama Speeches for the Guardian's G2 Section
    In tomorrow's issue of the Guardian G2, a number of acclaimed designers and illustrators will reimagine select excerpts from Obama's previous speeches. Click the link to CR Blog above for a quick preview.
  • CNN's "The Moment"
    In an effort to "...capture the most detailed experience of a single moment ever," CNN will assemble photos sent in by users into one epic photosynth. Almost every major news source seems to be inviting photo submissions from attendees, but CNN are clearly trying to put themselves ahead of the pack by assembling them all into 3D.
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    Image: I Hope So Too

  • NY Times Interactive's I Hope So Too and Inaugural Words: 1789 to the Present
    These two projects from the talented interactive team at the NY Times illustrate the public's future aspirations for the presidency and the vocabulary used in inaugural speeches. Over 200 people shared their hopes for the Obama presidency in interviews conducted for I Hope So Too, a section that groups these recordings by theme. Visitors can agree with the statements made, or alternately offer up their own hopes, it theirs aren't represented. Inaugural Words: 1789 to the Present depicts, in a tag cloud for each president, the most-used words from previous inaugural addresses.
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    Satellite image of the United States Capitol

  • The Inauguration, as viewed from space.
    The only non-news organization on this list, the company behind the GeoEye-1 satellite, which generates images for Google Maps and Google Earth ...
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    Highlights from 2008

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    In lieu of a "Best of" we've decided to pull together projects, events and developments within the field of art and technology that we felt were noteworthy. Like all year-end reviews, it would be impossible for this list to be entirely exhaustive, however we do hope that it is, at the very least, indicative of some of the most compelling directions and ideas in circulation over the past 12 months. Rhizome staff John Michael Boling and Ceci Moss assembled this list, with input from Caitlin Jones.


  • Heavy Light Screening Organized by Takeshi Murata at Deitch Projects August 23rd
    I (Ceci) viewed this screening at Deitch, but the same program was also organized at the Mattress Factory as part of the exhibition PREDRIVE: After Technology. While curated by Murata independently of the PREDRIVE show, the program serendipitously hits on some of the same themes. It featured new work by Yoshi Sodeoka, Ben Jones, Devin Flynn, Eric Wareheim and Tim Heidecker, Eric Fensler, Ara Peterson and Dave Fischer, Melissa Brown and Siebren Versteeg, Billy Grant and Takeshi Murata. The videos were followed by live performances by Nate Boyce and Robert Beatty. Murata also screened a number of films on 16mm by experimental animator Adam Beckett, whose work has had little public exposure.

    See "From Bell Labs to Best Buy: Takeshi Murata and Jacob Ciocci in Conversation with PREDRIVE: After Technology Curator Melissa Ragona" on Rhizome
  • Snow Canon (1981) from crystalsculpture

  • Javier Morales's crystalsculpture: 2 /3 /4 YouTube accounts.
    Morales brings together a diverse selection of bootleg art videos, vintage commercials, and other video oddities all culled from his extensive VHS and Laserdisc collection. After watching his uploaded videos, be sure to check out his YouTube favorites on each account.
  • Club Internet, Netmares/Netdreams, Why + Wherefore
    In a recent essay for ...
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    bluemonochrome.com (2008) - Jan Robert Leegte

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    International Klein Blue (Google Monochromes) (2008) - Ryan Barone

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    Image: Details from International Klein Blue (Google Monochromes), 2008

    From the artist's statement: International Klein Blue (Google Monochromes) is a series of eleven monochromatic works created by conducting web searches for International Klein Blue, a color developed and patented in the 1950s by French artist Yves Klein. Created "as a means of evoking the immateriality and boundlessness of his own particular utopian vision of the world", IKB falls outside of the color gamut of modern computers rendering each digital reproduction inaccurate.

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    Google Is Not The Map (2008) - Les Liens Invisibles

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    Statement: Since ancient times cartography has been used to describe the world as a geometric ensemble of measurable points, lines, areas and data-labels on a plane. While the world slowly fades away in an increasingly multiplication of self-representations, the map making process - missing its real reference - becomes nothing more than an empty-meaning abstract practice: so, what do all those maps stand now for?

    In order to disclose this contradiction - or just to give a paradoxical point of view about it - the imaginary art-group Les Liens Invisibles has explored the world along its self-referential techno-linguistic layers, moving through its hidden mechanisms and forcing the grammar of its public-released API code.

    This project was commissioned by LX 2.0 - a project by Lisboa 20 Arte Contemporãnea and curated by Luis Silva

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    Epiphanies (2001) - Christophe Bruno

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    Erased Google Image Search (2008) - Martijn Hendriks

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    Satanic Images (2007) - Evan Roth

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    The 666th photo taken on various digital cameras.

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    google image search for ''horse eye'' (2006) - Paul Slocum

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    Street With A View

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    In Street With A View, artists Robin Hewlett and Ben Kinsley take a fresh approach to the age-old practice of street theater. Working in tandem with the Google Street View team and the surrounding community of Sampsonia Way in Pittsburgh, Pennsylvania, they staged a number of playfully silly scenes, ranging from the laboratory of a mad scientist to a seventeenth century sword fight, which now appear in Google Street View. These acts introduce a vibrancy normally omitted from the utilitarian Google Street View feature, while also opening up the possibility of collaboration between artists and the company.

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