The Fire Theft (2010) - Isabelle Hayeur

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This video explores the themes of dispossession and repression. It was produced using sequences broadcast on the Web and scenes filmed in an abandoned house. It includes shots of the Olympic flame relay (Vancouver 2010 Winter Olympics) and the Keith Sadler Foreclosure Resistance. These were taken from a live stream off the Ustream website, then re-worked. The low definition and strong compression of the images creates a somewhat sombre atmosphere, which is accentuated by a sound track with strange and discordant noises. The degraded video signal mirrors the difficult social conditions evoked in the work, especially in the shots of dilapidated interiors. The Fire Theft reminds us that major sports events benefit a handful of corporations, and often are used as a pretext for real estate speculation and gentrification.

-- FROM THE ARTIST'S STATEMENT

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QTzrk (2011) - Jon Satrom

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Compression Study #2 (Untitled) (2007) - Paul B. Davis

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flo\/\/. (2011) - V5/MT

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Originally via Rising Tensions

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Untitled Video Painting 5.5 (Blue) (2009) - Borna Sammak

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After Affect (2010) - Till Forrer & Yannic Joray

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Originally via Darsa Comfort

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Homebrew Electronics: A Studio Visit with Phillip Stearns

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An example of one of Phillip Stearns' instruments

I met with artist Phillip Stearns last weekend, who took me around his studio. Phillip is giving a class through Harvestworks beginning Monday titled DIY Synth Building Intensive, and he began by showing me the kind of projects he intends to teach students to build in the workshop.

Phillip explained that he enjoys the opaque process of working with CMOS logic integrated circuits, which he finds to be more physical, user-friendly and transparent than working with Arduino. CMOS allows him to essentially program without a computer. Sounds in the instrument below can be modified by moving the patch cables around the breadboard. Phillip demonstrates:

There is one single oscillator, and the pins control the octaves. In his workshop, Phillip will instruct students on how to build an oscillator. Once one learns this basic step, they can then take the instrument further by making multiple oscillators or by mixing or dividing signals.

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Infinite Glitch (2011) - Ben Baker-Smith

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Every day an incomprehensible number of new digital media files are uploaded to hosting sites across the internet. Far too many for any one person to consume. Infinite Glitch is a stream-of-conciousness representation of this overwhelming flood of media, its fractured and degraded sounds and images reflecting how little we as an audience are able to retain from this daily barrage.

Infinite Glitch is an automated system that generates an ever-changing audio/video stream from the constantly increasing mass of media files freely available on the web. Source audio and video files are ripped from a variety of popular media hosting sites, torn apart, and recombined using collage and glitch techniques to create an organic, chaotic flood of sensory input.

-- FROM THE ARTIST'S STATEMENT

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output [of] no-input system studio performance (long) (2010) - Morgan Higby-Flowers

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Untitled (corrupted data, 67,4 Mb, mpeg, file date : 23.03.1997) (2009) - Sean Snyder

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Originally via VVORK

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