Voyage (1981) - Dean Winkler, Tom DeWitt, Vibeke Sorensen and Robert Lund
Music by Tom DeWitt and Vibeke Sorensen.
Hidden Shit (2010) - Adam Cruces and Michael Ray-Von
From the PDF exhibition series Adobe PDF. These images are from File 4 "Hidden Shit" by Adam Cruces and Michael Ray-Von.
YEMENWED EPISODE 3 (2008) - YEMENWED
Gloria Maximo - Director, Painting
Jonathan Turner - Director, Animation
Shawn Maximo - Architectural Design, Sculpture
Kate Rosko - Musical Director, Piano
Joseph Fraioli - Sound Designer
Megha Barnabas - Movement
Jason Farrer - Movement, Sculpture
Busy Gangnes - Movement
Paul Kopkau - Movement, Sculpture
Heather Kosch - Movement, Sculpture
David Santa Maria - Sculpture
Laura Foxman - Writing
Mary Voorhees - Graphic Design
Black Cracker - Vocal Engineer
Peter Zuspan - Audio Installation
Shannon Funchess - Vocals
Nina Mehta - Recorder
Natalie LeBrecht - Vocals
Mick Barr - Guitar
Abby Portner - Drum Machine
Colin Marston - Guitar
Lev Weinstein - Drums
Videos from Gatekeeper's Giza by Thunder Horse Video and lenox-lenox
These six music videos by the band Gatekeeper debuted last week on the blog 20jazzfunkgreats. The videos are a dark, hallucinogenic romp, featuring slick computer graphics and repurposed scenes from horror and anime films. The videos are directed and edited by Thunder Horse Video, with the exception of "Mirage" which features original computer animation by the team lenox-lenox. All the songs are off their new EP Giza on Merok Records.
Vaudeo Signal (2010) - Ben Baker-Smith and Evan Kühl
Voice Operated: On VOICE: Vocal Aesthetics in Digital Arts and Media
VOICE: Vocal Aesthetics in Digital Arts and Media, a new anthology edited by Norie Neumark, Ross Gibson and Theo Van Leeuwen from MIT Press, takes stock of the voice’s various transformations in the arts in the wake of the technological innovations of the digital age, and the ways in which artists anticipated these changes. One might expect musings on Barthes, man vs. machine, hauntology, linguistics or body politics, and those are all here; but there is also a refreshing and suitably wide-ranging cross-section of pop cultural examples and namechecks (Wolfman Jack, Portishead, Winnie the Pooh, BioShock, Meshuggah). Beyond its interdisciplinary parameters, the more theory-oriented papers are counterbalanced by an experimental essay (Theresa M. Senft’s “Four Rooms”, which juxtaposes phone sex, cancer care tapes, a voice recognition program, and Alvin Lucier’s “I Am Sitting in a Room”), a poem (Mark Amerika’s “Professor VJ’s Big Blog Mashup”), and a meditation (Michael Taussig’s “Humming”). The multiplicity of forms and inclusion of writerly as well as scholarly voices create an appropriately reflexive resonance.
Call for Submissions:
IEEE VISAP'15 / Data Improvisations / Call for Papers and Artworks
Posted by Angus Forbes
Edwin VanGorder