Traveling Through Layers: Yuri Pattison and his Leakers

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Yuri Pattison's RELiable COMmunication, 2013

Through the prism of the 1991 attempted coup d'état in Russia to bring down Mikhail Gorbachev's government and restore hard-line Communist Party rule, Yuri Pattison's newest work, RELiable COMmunication, repositions 2013's defining story: Edward Snowden's revelations about the U.S. National Security Agency's global surveillance operations.

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UBERMORGEN at Carroll/Fletcher, London

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UBERMORGEN, Perpetrator i (2008) detail. Pigment Print on Paper, 220 x 146 cm.

Edward Snowden, MMO gamming sweatshops in China, torture as participatory art, madness, and the troubled life of a Guantanamo Bay prison guard. The diverse research-based practice of Swiss-Austro-American duo UBERMORGEN makes a sustained assault on the notion that individual autonomy, liberty, privacy, and agency remain intact in advanced capitalist societies. Birthed in the mid-'90s heyday of highly politicized net.art, their project shatters the myth that democratic freedoms are being facilitated or enhanced by modern network technologies. Userunfriendly is Hans Bernhard and Lizvlx's first major solo exhibition in the UK as UBERMORGEN. Ambitious and impeccably installed, the duo has assembled a collection of shocks and reveals: projects that expose the surreptitious methods of coercion, and the subtle mechanisms of control prevalent in institutions of authority, from hospitals to supermax prisons. 

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