Machines have assisted people in creating images for centuries. From the camera obscura to the overhead and slide projectors to the photocopier, these mostly light-based tools have helped make light work of creating mimetic images. More recently, artists have started focusing on the machines themselves (this includes algorithmic software bots), letting them make the work, rather than simply assisting in the process. Of course, this all depends on how you define the work and the act of making it. Jürg Lehni has begun creating robotic spraypainting machines with names like Hector, Rita, or Viktor, anthropomorphic monikers that recall early fantasies -- or anxieties -- about the robots that would eventually replace human workers. The Swiss artist doesn't seem worried about losing his job. In fact, he's a master delegator, collaborating with (one might even say outsourcing to) others who help determine the form and content of the drawings that his machines will make. A show open July 9 - August 31 at the London ICA, entitled "A Recent History of Writing and Drawing," will display a variety of mechanical devices for art-making, centering around Viktor. Lehni has teamed-up with British graphic designer Alex Rich to program Viktor's mark-makings in such a way as to initiate a conversation about the role of technologies in expression, primarily by inviting the public to join workshops which allow them to participate in the drawings and to view demonstrations by other practitioners who'll use Viktor to make their own work. This overlapping melange of users gets to the heart of the project. As curator Emily King says, "Moving away from the blunt duality of man vs. machine, it is now possible to appreciate the particular qualities of various forms of mechanical and digital mark-making." This all begs the question of whether it's ...
Michelle Sujai