Artist Profile: David Kraftsow

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David Kraftsow's Vlog Artifacts, is featured this month on The Download.

Screenshot of At My Funeral, 2011

Much of your work involves recontextualizing a lot of YouTube and Twitter content. Through this rearranging and reorganizing you compose and assign new meaning to the often banal, unwittingly revealing always-growing archive of user-uploaded videos and status updates. User content here surpasses individual critique and instead is aesthetically reframed and sometimes even gamified under your curation.  What does it mean for you to work with the uploads of others? What can you say about the role of the curator in this process?

I'm not really sure if "curation" is the right word to describe my YouTube projects. While I do, on occasion, go out and hand-pick specific content for display (like for my fun cat video blog or Violet Flame supercut), most of the rest of my YouTube work is either the result of an autonomous script, or a user-initiated generator.

For example, I have a cron (autonomously executing process) running for my At My Funeral project that specifies search criteria for YouTube videos with comments that contain the phrase "at my funeral". The script has generated a database of (to date) 21,000+ videos that people want to have played in their honor after they die. 

Does this kind of algorithmic selection count as curation? The result can be really interesting and even kind of comedic. There is something hilarious to me about mechanically collecting every single "better than Bieber" YouTube comment ever written. But, beyond the initial specification of the program that does the collecting, it doesn't involve any of my creative/curatorial input at all. The content is selected and displayed automatically. 

If curation can simply involve the design and execution of such an algorithm, then the ...

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