Matthew Lutz-Kinoy Talks About Upcoming NEW SILENT SERIES Event "Donna Haraway's Expanded Benefits Package"

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New York artist Matthew Lutz Kinoy’s latest dance performance, Donna Haraway's Expanded Benefits Package, is set in the compounded space of artist studio / gay bar / queer community center. Featuring music by SOPHIE, the event premieres a display of sculpture, large scale painting, and a video projection entitled “Ideals, Bars, Shoes, and Legs,” setting the stage for a sensual physical space in which the artist and collaborator Chelsea Culp dance and recite collaged erotic texts from London and New York. The event highlights a shifting frame, which allows for chance readings of moving image both painterly and physical. Donna Haraway's Expanded Benefits Package, remembers the New Museum’s neighboring historic center Judson Church, by celebrating the tradition of translating daily activities into activist choreography.


 

Lauren Cornell: Donna Haraway's Expanded Benefits Package is set in what you describe as "the compounded space of artist studio / gay bar / queer community center." Is this triangle of social spaces one that relates to your life? How will the choreography of the piece reflect and express this location?

MATTHEW LUTZ-KINOY: In this performance I propose that the individual creates the narrative of the social space and that the social space constructs the narrative of the individual. The set of the performance is constructed in video by superimposing footage from these locations on top of one another and the role of the set shifts between being a forgrounded character to a background for live action and music. For this piece I chose to frame my research within a compounded architecture of the locations that had a direct influence on the production of this work. These locations shaped my daily gesture, they propose the way one’s body interacts with the world. My choreography ...

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Lia Ices' Webcam Travelogue Music Video "Grown Unknown"

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Lia Ices’ video for “Grown Unknown” is a visual performance diary documenting modern dancer Ruby MacDougall’s three week voyage across the Pacific from Long Beach, California to Shanghai, China...The footage was shot from a laptop camera, and edited by Joanna Bovay

via FAKE TV

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RYRAL (1976) – Tom DeFanti, Phil Morton, Dan Sandin and Bob Snyder

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RYRAL is a realtime audio video performance by Tom DeFanti (creating computer animation with the GRaphics Symbiosis System or GRASS), Phil Morton (“up in the kitchen keepin’ track”), Dan Sandin (processing video with a Sandin Image Processor), Bob Snyder (performing experimental electronic music on an analog EMU synthesizer) and an uncredited dancer. This Media Art project was created and performed in April 1976 at the second Electronic Visualization Event (EVE II) in Chicago. EVE II took place at The University of Illinois Chicago.

Documentation of the performance was later exhibited by Diane Kirkpatrick in her exhibition Chicago: The City and Its Artists 1945-1978 at The University of Michigan Museum of Art March 17 – April 23 1978.

-- DESCRIPTION FROM THE PHIL MORTON MEMORIAL RESEARCH ARCHIVE

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Elements of Vogue: A Conversation with Ultra-red

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Ultra-red is an activist art group founded in 1994. The group proposes an alternate model for art and activism, one in which it is not the artist's critical intervention that serves as the source of cultural action, but rather that art might contribute to and challenge the process of collective organization and relationship building itself.

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Voice Operated: On VOICE: Vocal Aesthetics in Digital Arts and Media

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VOICE: Vocal Aesthetics in Digital Arts and Media, a new anthology edited by Norie Neumark, Ross Gibson and Theo Van Leeuwen from MIT Press, takes stock of the voice’s various transformations in the arts in the wake of the technological innovations of the digital age, and the ways in which artists anticipated these changes. One might expect musings on Barthes, man vs. machine, hauntology, linguistics or body politics, and those are all here; but there is also a refreshing and suitably wide-ranging cross-section of pop cultural examples and namechecks (Wolfman Jack, Portishead, Winnie the Pooh, BioShock, Meshuggah). Beyond its interdisciplinary parameters, the more theory-oriented papers are counterbalanced by an experimental essay (Theresa M. Senft’s “Four Rooms”, which juxtaposes phone sex, cancer care tapes, a voice recognition program, and Alvin Lucier’s “I Am Sitting in a Room”), a poem (Mark Amerika’s “Professor VJ’s Big Blog Mashup”), and a meditation (Michael Taussig’s “Humming”). The multiplicity of forms and inclusion of writerly as well as scholarly voices create an appropriately reflexive resonance.

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Shimmer (1985) - Ed Tannenbaum

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Performance documentation of Ed Tannenbaum's Shimmer from 1985.
Sound composition by Maggie Payne.

Originally via Diamond Variations

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General Web Content

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When R&B; singer Ginuwine's jam Pony came out in 1996, it became the classic soundtrack to grinding, and its (admittedly, hilarious) refrain "ride it, my pony" a fixture in American pop culture. More recently, A.Mart from Hamburger Eyes launched "Dancing Alone to Pony" -- a tumblr blog compiling solo videos of people dancing to the track. The site has encapsulated this micro-meme. Here are a few of the highlights, visit Dancing Alone to Pony for more.



















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Untitled (2010) - Brody Condon

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In coordination with Saks Fifth Avenue and the PS1 Greater New York Exhibition, Brody Condon was invited to contribute a project to be displayed in the Saks window on 50th St. Brody’s proposal was to film a performance inside Saks itself. To his surprise Saks was familiar with his work and agreed.

The piece, a modification of the Trisha Brown work Accumulation (1971), is a floor-based dance performance based on various seizure-like movements choreographed by Stephen Lichty, who is himself familiar with movement disorders.

-- DESCRIPTION FROM DIS MAGAZINE

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Don't Mouse Around (2006) - Jeremy Bailey

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The Conductor (Fortuna Imperatrix Mundi) (2005-2009) - Rashaad Newsome

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single channel video with custom surround sound system

“The Conductor (Fortuna Imperatrix Mundi),” is the first of a six part video installation. “The Conductor (Fortuna Imperatrix Mundi),” contains two chapters: "O Fortuna" and ""Fortune Plango Vulnera". The 3:55 min. digital video loop is made up of footage from various hip-hop videos. All the footage is digitally enhanced and re-edited to track the motion of the hands of the artists. The audio is a composite of sounds consistently heard in artist deemed Hip Hop music greats from a survey conducted with local New York radio stations Hot 97 and 105.1 These sounds are then weaved in and out of Carl Orff’s “Carmina Burana”. The seeming fluidity of the image belies the painstaking nature of the production process: over 5000 individual video frames have been enlarged and repositioned to create the moving image.

-- FROM THE ARTIST'S STATEMENT

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