Decoy Strategies

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"Decoy Nest," Australian artist Sally Smart's second solo exhibition at New York's Postmasters, takes its title and conceptual angle from a strategy, employed by birds, to divert attention from their primary nests. As the artist writes in the show's press release, the "masking, camouflage and metamorphosis" implied by this strategy became starting-points for her own creative practice. Smart fills the gallery with wall installations of trees and human figures, collaged from bits of fabric prints, painted canvas and photographs. An anthropomorphically scaled work, appropriately titled Stick Figure (old one) (2008), borrows an arm, boot and head of hair from a photograph of a man; substitutes various representations of branches for legs, waist and torso; and positions three painted, canvas circles as shoulders and head. Phantom (limb) Tree (2008) further pushes Smart's concatenations of bodily and natural elements, as an assembled, vertical tree trunk sprouts both branches and human limbs. Evidently, the tree here and elsewhere serves not only as a strong visual foundation for Smart's collages, but also as a locus for the artist's broader concerns, including "the tree house, family tree, tree of life and the tree of knowledge" and the tree "as a symbolic stand-in for nature." These obvious symbols could easily derail many an artistic practice, but Smart's confident and inventive handling of materials and imagery makes them feel fresh. - Tyler Coburn


Image: Sally Smart, Phantom (limb) Tree, 2008

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How to make a perfect Malevich using only basic HTML code (2006) - LUNK

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The Death of Google's First Server (2008) - Jon Rafman

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"the server is played by Rutger Hauer"

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AIDS 3D's "Digital Awakening" at K44 Gallery

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The artist statements written by Berlin-based American artists AIDS-3D read as simultaneously post-apocalyptic and utopian. They are primarily concerned with the unfulfilled promises of emergent technologies and the ways in which our daily lives revolve around these media. Alienation, self-preservation, reproduction (sexual and otherwise), and the construction of lifestyles are common themes in their work, which takes the form of performances, sculptures, and installations frequently employing lasers, electroluminescent cable, and relics from a recent past promoting the heights to which novelties of various origin will change the world. On September 20th, the duo will open the show "Digital Awakening" at Athens, Greece-based K44 Gallery, in which they will elaborate two radically different future scenarios, one in which Earth suffers "a disastrous energy crisis leading to war, famine and the breakdown of the global capitalist system" and an another where "humanity lives in a techno-utopia, where communication tools and futuristic technology fueled by alternative energy have allowed us to fully transcend into a scientifically maintained balance." Considering the potential impact of current directions in the field of energy production, these fictional accounts may not be the work of utter fantasy. - Marisa Olson


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form study #9 (2008) - Robert Wodzinski

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Location="Yes"

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"Here we've collected links to some of the artworks and online projects which are not complete if they exist only in "inwindow" and lose their meaning if location="No"."

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A Print (2007) by Ilia Ovechkin & Will Simpson

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Erased de Kooning by Peter Baldes (2007)

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Readymades by Constant Dullaart (2008)

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Best by Claude Closky (2006)

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