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Rhizome Community Campaign: A Message from Jason Scott


"Of the many forms of artistic expression, digital works are among the most easily preserved, and the most fragile. Easily preserved, because with a simple digital copy across media or networks the artworks are duplicated perfectly. And yet also fragile, because the nature of computers and technology ensure constant change, shifting standards, and a propensity to make that which came before unusable and unworkable.

The efforts of Rhizome and its ArtBase project are to recognize this environment and work with it, not in spite of it or ignoring it. By capturing what they can of digital works, bringing in statements and context of the artist and art, and making this effort publicly available, they ensure a greater longevity and audience for all the items in their archives. While nothing lasts forever, the short and sometimes obscure life of born-digital works can be extended with attention, passion and effort, which this group provides." - Jason Scott

To support Rhizome and the ArtBase, make a contribution today – become a member to renew and receive a limited edition artwork as a thank you gift!

Jason Scott is an American archivist and historian of technology. He is the creator, owner and maintainer of textfiles.com, a web site which archives files from historic bulletin board systems. He is also the creator of a 2005 documentary film about BBSes, BBS: The Documentary, and a 2010 documentary film about interactive fiction, GET LAMP. Recently Scott has taken a position as Adjunct Archivist at the Internet Archive.

 

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Rhizome Community Campaign: Brody Condon


We're midway through Rhizome's Community Campaign! Thank you to all of our supporters who've contributed so far! To mark the occasion, we are pleased to announce two, new limited edition artworks from Brody Condon now available during the Campaign! 

In this series of limited edition prints donated by Condon, images from fantasy and science fiction illustrations confront strange, haunted geometries.

Experimental Ethnography (2011)

Cats Green (2010)

Condon is an artist based in New York. His work frequently incorporates modified computer and role-playing games to explore the obsession with fantasy in contemporary culture. In the past year, he has staged exhibitions and performances at Los Angeles County Museum of Art, CA, CCS Bard Hessel Museum, NY, Moderna Galerija Ljubljana, Slovenia, LevelFive Liverpool, UK, and Albright-Knox Art Gallery, Buffalo, NY, among other spaces.

Become a member or join today to receive a limited edition artwork of your choice. 

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Rhizome Community Campaign: A Message from Christiane Paul


"Since the mid-90s Rhizome has been an invaluable resource for critical explorations of net art, media arts, and network cultures. As the new media world evolved, Rhizome always ingeniously reinvented itself, building its programs and community. Rhizome's ArtBase, with its more than 2,500 works, by now has become the supreme model for the collection and study of online art forms." – Christiane Paul

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This Week on Rhizome Community Boards: The East Japan Earthquake Archive, New Jobs, Events, and More


 

Nagasaki Archive announced their just launched project: The East Japan Earthquake Archive

The East Japan Earthquake Archive (3D Photo-overlays of The East Japan Earthquake)” is a mash-up content to understand the real state of affairs of the Japan Earthquake that cannot be understood by inspecting individual photographs. Users can view over 100 photographs from New York Times and others using google earth, and compare sceneries before / after the earthquake. All photographs are overlapped with three-dimensional geographical features, so the damage situation of the Sendai airport and the Fukushima nuclear power plant and others can be understood three-dimensionally. And also, Google's imagery update of Japan is included, users can switch latest and past satellite image by radio-buttons. We will add more photographs as much as possible.

Residencies:

Call for Submissions:

Jobs:

Events/Lectures/Exhibitions:

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Rhizome Community Campaign: A Message from Ed Halter


"Rhizome's blog is essential reading for anyone interested in the present, past and future relationship of art and technology. There is no other publication, online or elsewhere, so fully and deeply dedicated to this crucial topic." – Ed Halter

To support Rhizome's editorial program, make a contribution today – become a member or renew and receive a limited edition artwork as a thank you gift!

Ed Halter is a critic and curator living in New York City. He is a founder and director of Light Industry, a venue for film and electronic art in Brooklyn, New York, and is currently curating the film and video program for the 2012 Whitney Biennial.

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Rhizome's Director of Technology on Why You Should Give Today to Help Rhizome Innovate!


We're almost midway through our annual Community Campaign and grateful for the generous support we've recieved from our members. However, we are still far from our $25,000 goal so we ask that you please make a donation today to help support Rhizome into the next year!

Below, Nick Hasty Rhizome's Director of Technology, provides insight on how our community's support is vital to innovation at Rhizome.org.

Technology-wise, with the launch of our new website and art archive, 2011 has been a transformative year for Rhizome. This kind of ambitious, large-scale development is a massive challenge for an organization with Rhizome’s staff size, and we couldn't have done it without support from our membership.

http://rhizome.org/support/donate/

The Rhizome website is a complex platform, containing some 220,000 lines of code and, with over 15 years worth of content, more than 125,000 individual pages as indexed by Google. These numbers are a considerable sum for any website, but for a non-profit with a single developer / sysadmin, they represent a challenge that's simultaneously both exciting and daunting. Like the rest of the staff, I am motivated by the daily engagement the site receives, whether by artists, academics, or technologists eager to learn more about our field.

Since launching the new site, community engagement has boomed. From overall site traffic to announcements to portfolios, we've seen tremendous growth in all the service we offer, and we're thrilled to know that our community finds great value in Rhizome. We plan to continue listening to your feedback, improving our offerings and creating innovative tools for documenting, archiving, promoting, and researching digital art.

In the coming year, I anticipate growth and innovation in the following areas:

+ More collaborations with artists to create ...

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Sade for Sade's Sake - Paul Chan (2010)



Sade for Sade's Sake (2010) is a data CD containing 21 truetype fonts and a collection of digital artworks by artist Paul Chan, which Chan donated for Rhizome's Community Campaign. Words correspond with individual letters turning what might be ordinary sentences into coded—and often erotic—poetry. 

Over the summer, Rhizome contributor Sarah Hromack interviewed Paul Chan asking about his work considering books, language, and text: A Thing Remade: A Conversation with Paul Chan.

Rhizome's Community Campaign ends January 14th. Please donate today!

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AIDS 3D interviews Jon Rafman


In Kaleidoscope, AIDS 3D interviews Jon Rafman: 

Aids3d: As an artist you’ve got a lot of different things going on. Do you think it’s important as an artist to have a seemingly cohesive body of work, or at least some kind of delineation between different sub-practices. Could you outline some structure that organizes your practice as a whole?

Jon Rafman: What ties my practice together is not so much a particular style, form, or material but an underlying perception of contemporary experience and a desire to convey this understanding. One theme that I am continually interested in is the way technology seems to bring us closer to each other while simultaneously estranging us from ourselves. Another one is the quest to marry opposites or at least have conversations between them, the past and the present, the romantic and the ironic, even though these conversations often end in total clashes. All my work tends to combines irony, humor and melancholy.
Rafman donated two prints from A New Age Demanded (2011) series for Rhizome's Community Campaign. Check out the other great artists who donated limited edition artworks available only during the Campaign, which ends January 14th.

 

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Community Campaign: Focus on Rhizome Editorial


Your contribution to Rhizome means continued high level discussion of art and technology provided daily on the Rhizome blog and news site. We hope you'll make a contribution today to help us meet our $25,000 goal.

As editor of Rhizome, I am fortunate to work with a gifted team of writers asking and answering tough questions about the role of technology in art and society. Rhizome writers are looking for the history and context. Our editorial team offers daily original reporting and critical writing on art and digital culture. Writers report on events like the Venice Biennale and ISEA in Instanbul. We provide in depth interviews with artists, curators, and technologists like Paul ChanPaola Antonelli, James Bridle, Martine Syms, and Nicholas Felton. Once a week we feature an essay or interview from the blog on our mailing list Rhizome News.

Rhizome News recent highlights:

Melissa Gira Grant wrote about the aesthetics of camgirls in the 90s in her essay She Was a Camera. "As an early online community, camgirls learned to both live on and produce the web together. We were our own audience. If there were people who were not camgirls watching – actual voyeurs – we could pretend not to notice them. While they watched, we taught each other CSS, compared different models of webcams, and complained about web hosts. It would be sexist to call it an endless slumber party at which presumably male viewers sat on the periphery. It was more a boot camp in How To Make the Web where you could show up sometimes in your pajamas."

Artist Jon Rafman contributed an original essay on the arcade Chinatown Fair when we debuted his short film Codes of Honor. "I spent the better part of 2009 in that dingy, dim-lit arcade at the end ...

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Hyper Geography (2011) - Joe Hamilton


Hyper Geography (2011) from Joe Hamilton on Vimeo.

Hyper Geography is currently on view at 319 Scholes until November 20th.

Hamilton donated Hyper Geography Print Set for Rhizome's Community Campaign. Check out Hamilton and the other great artists who donated limited edition artworks available only during the Campaign, which ends January 14th.

For more on Hamilton's work see:

Reframing Tumblr: Hyper Geography

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