TO ALL THE PEOPLE WHO HAVE HAD THEIR LIVES WRECKED BY COMPUTERS, SOCIAL MEDIA, AND THE INTERNET

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The Urgency, the new DVD release from Extreme Animals (Jacob Ciocci and David Wightman), is a "visual album," like Beyoncé by Beyoncé, but any similarity to Beyoncé begins and ends with format. Beyoncé is too serious, too straight—the wrong kind of urgency. Her hooks have never found their way into the pop-punk power ballads of Extreme Animals, which mix club disco, heavy metal, and chiptunes with maximalist, strobing montage. 

If there's a diva who is muse to the duo, it's the fickle Katy Perry, whose songs are sampled on two of The Urgency's eight tracks. Inspirational Katy Perry, who dedicates a rousing anthem to everyone who has ever felt like a plastic bag. Party girl Katy Perry, who gets wasted every Friday night. Bisexual Katy Perry who kissed a girl and liked it and wants to see your peacock-cock-cock. Dom/sub Katy Perry who yearns to be poisoned by aliens and is also the tiger who you will hear roar.  

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1954 (2004) - Bojan Sarcevic

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Images from Bojan Sarcevic, 1954 (2004)

The collages’ vague sense of time and place is located somewhat more precisely by their title, 1954 (all works 2004), which refers to the 1954 edition of the German architectural journal Baumeister, from which the pictures are taken. Germany in 1954, after two lost decades and the horrors of war, was tentatively starting to rebuild its traumatized national morale (helped in no small measure by the country’s unexpected World Cup victory that same year.) And, despite the absence of the country’s greatest modern architects, Walter Gropius and Ludwig Mies van der Rohe, architecture flourished in the steady rebuilding of cities reduced to rubble by Allied bombing, and was characterized by a cautiously optimistic Modernism. This was the year that Mies began his monumental Seagram building in New York, but the pictures Sarcevic collects here are more modest examples of a socially oriented Modernism, felt at the time to be not only an expression of, but also a form of active participation in, the creation of Germany’s new democracy. - Kristy Bell, Frieze magazine

via A Sound Awareness

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Fragmentr: a Collaborative Image Remixing Site

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Fragmentr is a "collaborative image remixing site" designed by Ryan Weafer. It's also a "living archive. When you generate a permalink it displays a range of images that shuffle randomly."




Via Sarah Hromack, pointing out the site has a lot of potential: "I love a big, gorgeous, authoritative slideshow. What I love even more though, are projects that expose the precarious state of the digital image."

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Selling Spam to Saatchi: ArtInfo Interviews James Howard

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James Howard's "Lonely," 2011

"It all begins in my junk email folder, in the place where everything that has a bit of a question mark over its authenticity — pensions, Russian brides — lands. I take images and texts from that junk email folder and from pop-up adverts and I collage them together into artworks... I gravitate towards reoccurring images: adverts for Chinese wives and images of beautiful sunsets over serene oceans seem to crop up rather a lot, as well as pictures of people with distorted bodies looking up into fisheye lenses. These are the ones I really enjoy, and when I find them, I immediately start getting into Photoshop and cutting around as quickly as I can." - James Howard in an interview with ArtInfo.

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uh duh yeah (2010) - BFFA3AE

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Debris, Qwerty (2009) - Sarah Frost

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Originally via Valentina Tanni

Parallelograms

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Found image for Jibade-Khalil Huffman's project

Curated by Leah Beeferman and Matthew Harvey, Parallelograms is a new online publication. For the project, Beeferman and Harvey invite an artist or collective to creatively respond to an image found online. The featured artist changes from week to week, and so far, they've worked with seven separate artists, including Everything Studio, Stephen Vitiello, Jibade-Khalil Huffman, Mary Manning, Will Shapiro, Potential Estate and Duncan Malashock.

Image from Mary Matting's project for Parallelograms

Image from Duncan Malashock's project for Parallelograms

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The Satellite Collection (2010) - Jenny Odell

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The Satellite Collection is a series of six digital prints that I made by collaging cut-out imagery from Google Satellite.

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Approximately 1,326 Grain Silos, Water Towers, and Other Cylindrical-Industrial Buildings

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125 American Swimming Pools

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195 Cargo Ships, Barges, Motorboats, Yachts, Tankers, Cruise Ships, Riverboats, Sailboats and Hospital Ships

Originally via Valentina Tanni

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Double Hunt (2006-2007) - Seth Price

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Versions (2010) - Oliver Laric

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