4 Apr 2006
Hello Chris. Thanks for taking an interest in my work, and Jayson's as well. Below are my answers in blue.
1. How integral was Jayson Whitmore's involvement with you on the Winchester series? I noticed that you thanked him first in the introduction to the book of the exhibit. Did he do a majority of the animating and compositing of your imagery/drawings/abstractions, etc? Or was his role more to provide technical experience when you needed it and had questions?
Jayson Whitmore is the total motion graphics pro. He makes life easier on me because I can describe something to him and he can help me do it without much trouble. That said, its not the main reason I choose to collaborate with Jayson, because there are many people trained the way Jayson is trained, just as there are many people trained to draw and paint like I was trained. My work is also very technically simple, so technically Jayson is holding back some of his skills when he does my stuff. The reason why I always try to work with Jayson Whitmore first is because he's got a GREAT musical ear. He's got a sense for the timing of the movement and the content of the art that qualifies him as an artist in his in right. Its always an honor to work with people as outstanding and insightful as he is. The same can be said for a man named Jonathan Karp who helps us with sound, Brendan Canty from the band Fugazi who's done music with us in the past, and all the other great people I've been lucky enough to work with. I've been very fortunate to have such good people around me. Jayson is an unbeatable talent and has spent years learning the techniques he knows, and he frees up the time I need to perfect my imagery.