Chimera Q.T.E at Cell Project Space, London

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Chimera Q.T.E at London’s Cell Project Space draws its curatorial theme from a collagist interpretation of the Internet – a view that sees the web as a collection of orphaned, mashed and re-mashed digital fragments, or a kind of infinite patchwork quilt. For inspiration and the exhibition title, London based curator Attilia Fattori Franchini nudged aside contemporary similes to pull a monster from Greek mythology. The chimera, like that other Grecian mashup the griffin, is a beast composed of several animals, and both its status as an organic mishmash, and the common use of its name to denote fanciful pipe dreams, provided Franchini with a comparative reference for what the web is like.

Luckily the beast’s double status as a hybrid creature and linguistic unit is also a useful tool for interpreting the show. For while the fragmented web model (i.e. the body of the beast) is popular and necessary for those who see contemporary artists as nomadic remixers and postproducers (see Mark Amerika’s recent remixthebook), it is an idea built on fragile conceptual foundations that tumble down beyond the aggregated world of Tumblr and BuzzFeed. Hence the idea that today’s artists are cut-and-pasting their way towards a liberatory new praxis could be mere chimera. What Chimera Q.T.E captures then is not a mediation of the Internet as it is – because nobody really knows. It captures an aesthetic sensibility informed by the fragmented web model and its proposed utopic possibilities. When formalised this sensibility, shared by the eight international artists on display, becomes a hybrid mix of lurid color palettes, errant geometry, and vivid, startlingly flat, digital precision. What the viewer sees in each work is essentially a dispatch from an abstract digital territory, an ambient landscape of the hyperreal.

Chimera Q ...

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