From the Mixed-Up Files: Ten Years Ago Today

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From the Rhizome archives, here's a discussion that unfolded ten years ago today on our mailing list, prompted by an article in The New York Times about curator Steve Dietz' dismissal from the Walker Art Center.

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Interface Aesthetics: An Introduction

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Image from CMD SHIFT 3 .NET by Emilio Gomeriz

Everyday we use digital tools to create, edit, and document our work. We click fastidiously into the graphical user interface (GUI) of applications, seeing expected results while trying to ignore the friction of bad design, failed UX, and glitches. Most actions are conducted successfully and the interface holds its transparent position. But despite the GUI’s seemingly innocuous presence, its aesthetic leaches its way into our own. How we view our creative process and documentation is minutely and incrementally shifted by the frame of the interfaces we routinely use.

Douglas Engelbart's 1968 demo of NLS (online system)

The current paradigm of the user interface had its first introduction on December 9th in 1968 when Douglas Engelbart demoed his famous NLS (online system) at the Fall Joint Computer Conference in held at the Convention Center in San Francisco, CA. Engelbart and his team at Stanford had an innovative vision driven by desires to improve the ways people communicate and interact with each other and computers. It was the public debut of the mouse. The work produced by his group went on to inspire the most basic interactions used in Xerox’s Star graphical user interface and almost every operating system since...

 

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