WaWa Complex, 2011, Fatima Al Qadiri w/ Khalid Al Gharaballi (From WaWa Series)
There is little distinction between Fatima Al Qadiri’s work as an artist and composer. Her compositions and related performances are intertwined and in reference to the cross-pollination of genres, mediums, and artifacts of culture that infiltrates her video art and multimedia installations. Her most recent musical output, Desert Strike EP, is a testament to this blending of disparate ideas.
Born in Senegal and raised in Kuwait, Al Qadiri studied Linguistics at New York University and has performed and exhibited at the New Museum, MoMa, the Kitchen, and Performa, among others. As a child, she also witnessed the unfolding of the Gulf War. A love for and fascination with video games grew during this period and sustained for years afterward. In particular, the Sega Megadrive game “Desert Strike: Return to the Gulf,” which involves a US army helicopter waging war on a Middle Eastern country, was a frequent source of entertainment. The dichotomy between her own experiences outside of and in relation to videogames shapes the sound of the EP.
Desert Strike is filled with dry, hypnotic beats, cold, 8-bit-like synths and gunshots to create songs that are haunting and ethereal. The all-instrumental work is a deep and heavy soundtrack to a surreal yet familiar game that has yet to be not been created. But most importantly, it is a smart piece of music and work of art. Like her previous work, Genre-Specific Xperience, Desert Strike is representative of a multi-faceted and post-modern consumption of music and culture that fits in seamlessly with the sounds and creators of contemporary society.
Dala3 (in Vegas), 2011, Fatima Al Qadiri w/ Khalid Al Gharaballi (From WaWa Series)
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