From Braniff Airlines 1968 "When You Got It, Flaunt It" ad campaign. Salvador Dali was another celebrity featured in the campaign, to view that video, go here.
Andy Warhol hosted the television show "Fifteen Minutes" on MTV from 1986-1987, making only five episodes. Four of the five episodes are available below, the videos and text are sourced from The Jailbreak and the videos were originally discovered via Zamboni Soundtracks.
(Note: For those who want to view more art television shows, Rhizome dedicated a day to art-related public access TV shows in December. To view the posts from that day, visit the December 2009 archive and scroll down to December 8, 2009.)
EPISODE 1 (1986): Robin Leach, Jerry Hall, John Oates, Dweezel and Moon Zappa, Tama Jamowitz, Paulina Porizkova, Sally Kirkland, Tracy Johns, Katherine Hamnett including fashion show with models Maria Kay, Anna Jonsson and Eric Perron, The Parachute Club, and The Pyramid Club with Happy Face, Lady Bunny, Dean Johnson, John Kelley as Dagmar Onasis and Lypsinka.
EPISODE 2 (ca. January 1987): Grace Jones, Kenny Scharf, Marc Jacobs including fashion show with models Charlotte Dawson, Pam Piper and Cynthia De Maria, Peter Beard, Kevin Dillon, John C. McGinley, Francesco Quinn, William Burroughs, Chris Stein, Angel Estrada including fashion show with models Lori Milligan and Rochelle Redfield, Elizabeth Peña, Gregory Abbott, Judd Nelson, Das Furlines, Isabel Toledo, Ruben Toledo, Suzie Zabrowska (fashion model for Isabel Toledo), Dovanna Pagowska (fashion model for Isabel Toledo), and Angelo Colon.
EPISODE 3 (ca. February 1987): Victor Love, Bobbi Humphrey, Wall to Wall (singing Tuff Luck), Ian McKellen, Bo Diddley, Moto-Fashion by Michael Schmidt and Anita Martire Schmidt models: Grace Nemergut, Raphael and Thomas H. Street, Martire models: Ralph Scibelli and Barb Carboy, Motorcycles: Pilar Limosner, Sally Randall, Hugh Mackie, Dimitri Turin and Willard, The Fleshtones, Saqqara Dogs with Ruby Ray and Bond Bergland, The Tunnel nightclub with Rudolf (club director), Thomas Leeser (co-owner) and Carla Steiner (bartender & singer), Regina Beukes (violinist), Miriam ...
Rachel Perry Welty’s video shows a frontal head and shoulders view of the artist herself lip-synching to messages left in error on her telephone answering machine. Welty uses expert timing and facial gesturing and maintains a priceless deadpan expression during the intervals between messages. Karaoke Wrong Number reveals the simultaneous connections and disconnections of contemporary life, where technology both assists and impedes communication.
I was working as a photo assistant for Crate & Barrel. While on set one day, I wrote “dinner w/ marc 510-872-7326,” my name and cell phone, on a dry erase board featured in a desk product shot. A few months later, the catalog, containing my dinner invitation, was printed and sent to millions of people. I eventually received over 30,000 calls from people wanting to dine with me. As a result, I traveled the USA in a tiny RV for a year dining with strangers.
The Representative is a ‘portrait’ of a call centre worker that can be accessed by telephone.
Call centres are an increasingly ubiquitous and technocratic interface between large organisations and the public, and their spread has been described as endemic to a globalised world. With The Representative, visitors are invited to sit within an installation of domestic lounge-type furniture and use a single phone to connect direct to a call centre agent working at a remote location. The callers are offered the chance to ‘get to know’ the agent, and thus to experience a ‘portrait’ of the call centre agent accessible via a call centre interface. Young hired the agent and defined a ‘vignette' of them by agreeing a generic script of topics for possible conversation to be offered to callers at the start of each call, based on interviews with the agent about their personal background and experiences of call centre work. Following these initial options, calls were unscripted and based on the conversational interests of the caller.
The Representative is a development of Nothing Ventured, an earlier work by Carey Young which was staged at fig-1, London in 2000, in which she hired a call centre to ‘represent’ her. The Representative, at its simplest level, offers a view of the life and experiences of a call centre operative whose individuality and identity would normally be denied to the caller. The calls would exist somewhere between a personal chat, an interview, the reality-TV style exposure of a ‘civilian’, a script, an exposé of working conditions, a piece of journalistic research, a portrait and a service, with the caller put in the position of researcher, audience, voyeur, client and potential friend.
TXTual Healing was created in the early days of 2006 by Paul Notzold and has become a collection of interactive public projections and performance formats that encourage creation of dialog through text messaging from mobile phones. Whether interacting with custom digital signage, or live performers TXTual Healing builds community through public story telling via the mobile phone.