Few things are farther from the cool white walls of Chelsea than the anxieties and values of teenage suburbia, which is probably why Ryan Trecartin’s videos about them, untranslated into the art world’s dominant dialect of aloof criticality, looked so exotic and aroused so much excitement when he made his gallery debut here a year and a half ago. Trecartin’s work grows out of YouTube rants, Myspace intros, and other random homemade shorts , and while grotesque histrionics set his videos apart from the average upload, he keeps them close to their sources of inspiration by addressing issues of popularity, independence, and social approval, and shooting them in spacious beige interiors that approximate the bedroom of the regular webcam-wielding kid. Lizzie Fitch, who has collaborated with Trecartin on his videos as an actress and set designer, makes installations based on the same bland domestic environment, using furniture and appliances from big-box stores. Trecartin and Fitch’s current video-free exhibition at Elizabeth Dee, the first time they’ve had a double billing at the New York gallery, lies closer to Fitch’s territory than Trecartin’s, and the calculated result doesn’t indicate a promising direction for either artist to take.
Trecartin and Fitch use the gallery’s two rooms to simulate the interior and exterior of a suburban home, but they’ve switched the order of the front and back so that the viewer becomes an intruder, passing through the backyard before entering the living room. The first installation, The Aboutthing (in the air), suggests a good time that ended in disaster. Rubbermaid boxes bobbing in an above-ground pool-- a lowbrow luxury, not as fancy as an inground pool -- contain the residue ...
This is a reminder to join us next weekend, May 16th at 3pm, for this month's New Silent Series event. Produced in collaboration with the annual experimental music festival No Fun, the afternoon will feature films and performances by Jim O'Rourke, Makino Takashi, Robert Beatty, Takeshi Murata, Sarah Lipstate, Dominick Fernow, C. Spencer Yeh, Megan Ellis and Carlos Giffoni. Full details and ticket information below.
In its sixth year, the No Fun Festival has emerged as one of the most unique and vital festivals for experimental music worldwide. Curated by No Fun organizer and label head Carlos Giffoni, this special screening will present moving image work by a selection of artists performing in the 2009 Festival. Jim O'Rourke and filmmaker Makino Takashi collaborate on The Seasons, a dense abstract film that fluctuates in tandem with O'Rourke's dramatic and resonant score. Robert Beatty (of Hair Police and Three Legged Race) will provide a live soundtrack to artist Takeshi Murata's hypnotic videos and animations. Experimental filmmaker and sound artist Sarah Lipstate (of Noveller) presents Interior Variations, a collage of 16 mm hand-painted film, black-and-white super 8mm, and found footage, which will be accompanied by a new Noveller composition titled Telecine. Dominick Fernow/Prurient will screen spins the worlds wheel again, a short film inspired by his 180-page hardcover book of collages, Rose Pillar published by Heartworm Press,which deals directly with mortality within the family structure. Sound artist/composer C. Spencer Yeh (of Burning Star Core), known for his arrangements that draw on both aural and physical experience, will premiere a new work using voice as its central component. Megan Ellis and Carlos Giffoni will also showcase a new piece, created specifically for this show, which will pair minimalist ...
VIEW THE INTERNET THE WAY KANYE SEES IT.
SCREENCAST: HOW-TO ADD KANYE VISION
Medialab-Prado announced a call for papers for their upcoming 4th INCLUSIVA-NET MEETING on P2P networks and processes to be held in Madrid from July 6 to 10th. The deadline is May 31, 2009. Details below:
Medialab-Prado issues a call for the presentation of papers to be publicly presented during the 4th International Inclusiva-net Meeting. This edition will focus on an analysis of “peer-to-peer” networks and network processes, highlighting the social potentials of cooperative systems and processes based on the structures and dynamics inherent to these types of networks.
Selected papers will be presented within a program that will also include invited lecturers and debates.
Many topics will be addressed such as P2P networks as a way of democratizing access to culture, legal issues and controversies, educational and artistic applications, their role in the emergent countries, as well as other perspectives that make a broader reflection on P2P networks possible.
More information and submission form: http://medialab-prado.es/inclusiva-net
This explores the idea of distilling a whole film down to one single image. Using eight of my favourite films from eight of my most admired directors including Sidney Lumet, Francis Ford Coppola and John Boorman, each film is processed through a Java program written with the processing environment . This small piece of software samples a movie every second and generates an 8 x 6 pixel image of the frame at that moment in time. It does this for the entire film, with each row representing one minute of film time.
The end result is a kind of unique fingerprint for that film. A sort of movie DNA showing the colour hues as well as the rhythm of the editing process.
cfp: Online interactive works in the Digital Humanities
Digital Arts and New Media (DANM) Technical Coordinator