Feedback Speed Kills, 2009 from yoshi sodeoka on Vimeo.
In which 20,000 spammer aliases, collected between 2003 and 2008, are listed alphabetically (a possible resource for writers and moonlighters).
In people, memory is the capacity to retain an impression of past experiences. In technology, memory refers to the parts of a digital computer that retain data for some interval of time. Computers now have the ability to save a lifetime of photographs, videos, audio and communications, changing the way that we reference personal memory. With this change, computers can archive and index memories in a way that we have never been able to do before. Computers have become machines for remembering. Using the most primitive form of digital storage, I have recorded all of the emails stored on my computer into thousands of punched cards. Each card contains fragments of communication layered one on top of another to form an analog representation of my collected digital communications. In the same way that information is stored on the computer, I have created indexes to reference the information. Each index is created by manually sifting through the information, word by word, creating unique directories of my personal communications.
It's hard to sum up the interests and achievements of Bulat Galeyev, who died in Kazan, Russia, on January 5 at the age of 68. He was a teacher of physics and aesthetics. As a scholar, he published scientific research on synesthesia, and as an artist he staged his own theatrical performances that synthesized visuals and music. He studied and championed the work of Lev Termen, even when the theremin's inventor was nearly forgotten in his native country. Inspired by the ideas of early-twentieth century composer Alexander Scriabin, whose orchestral works are usually performed without the colored-light shows that he choreographed for them, Galeyev devoted his life to a multi-faceted study of art and sensory perception. The radical, interdisciplinary nature of his career is even more impressive when you consider that it evolved in the conservative, often stifling intellectual atmosphere of the Soviet Union.
Galeyev's base of operations was the Prometheus Institute in Kazan, a city about 450 miles east of Moscow. To gain official support and funding, Prometheus attached itself to an aviation engineering research institute, and its unique position in relationship to industry was not dissimilar from the experimental initiatives hosted by Bell Labs and Siemens in the West. Galeyev's line of inquiry was certainly not a priority for Soviet science. But when he founded Prometheus in 1962, the country was still euphoric from launching the first human into space a year earlier. The light-music concerts that Galeyev organized at Prometheus blended in with the widespread vogue for science fiction and futurism.
Thanks to Prometheus' close connections to an official research laboratory, its employees had access to equipment that ordinary citizens could never dream of. Galeyev and his team took advantage of ...
From AIDS-3D's Selections
Many believe that since the launch of YouTube in 2005, the history of the moving image has diverted from its canonical route. The website, which makes it possible for anyone who can use a computer to post a video, reaches millions of people daily. Like no other time before, it is now possible for amateur videos, music videos, film footage, commercials and news segments as well as (in some cases) artists' videos to be mingled together in a random way, free of any preconceived hierarchy or system. According to Fokidis, the active use of YouTube is a form of curating and "Different people's 'playlists' are transformed into exhibitions and "tagging" becomes a process of random archiving." For PULSE PLAY>Random Rules, Fokidis has invited several emerging and established artists to create their very own playlists thereby presenting these artists not only as artists, but as curators and as collectors as well. Artists include Andrea Angelidakis, Aids 3D, AVAF, Pablo Leon de la Barra, Erick Beltran, Keren Cyter, Jeremy Deller, Cerith Wyn Evans, Dominique Gonzalez Foerster, Dora Garcia, Rodney Graham, Annika Larsson, Matthieu Laurette, Ingo Niermann, Miltos Manetas, Ahmet Ogut, Angelo Plessas, Lisi Raskin, Linda Wallace.
Editor's Note: Artist-selected videos on the "Random Rules" YouTube playlist (link below) will be on view this week at the Pulse Play video art lounge at Pulse Art Fair in New York City. The fair opens tomorrow.
The Art of the Overhead is a small arts festival devoted to the overhead projector which will take place from May 15 to June 5th at Stapelbäddsparken, in a former Shipbuilding slipway featuring 3000m2 of largely underground areas in Malmö, Sweden. This year's theme is "OHpen Surface", which is elaborated by the festival's organizers Linda Hilfling and Kristoffer Gansing here:
With this call for contributions for The Art of the Overhead 2009 - we encourage artists and other media practitioners to depart from the Overhead projector as a standardized technology which has the potential for re-activation by way of its near outdated character. This entails reflection-as-projection, deploying the Overhead projector in the double sense of projection described by Siegfried Zielinski: as both casting out images representing the world and as a shaping movement, a production or rather a visionary projecting of reality as delimited by how we see it through the image. To work in one media, criticizing another, or reflecting across a whole domain of media culture through a particular and well-known technological institution is a kind of non-digitalisable cultural practice that The Art of the Overhead is all about, and through the OHPen Surface we call for works that engage in this dynamic.
They are currently seeking submissions in three categories: Transparencies, Installation, and Performance. Deadline for submissions is March 30, 2009. For more, visit the link below. </p.
See below for installation footage of Tony Oursler's new show "Cell Phones Diagrams Cigarettes Searches and Scratch Cards" at Metro Pictures from VernissageTV, which opened last week. The show examines themes of addiction and consumerism in an increasingly interconnected culture.
Digital Arts and New Media (DANM) Technical Coordinator