
One (2002) - Mark Callahan
Hundreds of images of cars scanned from vintage postcards, placed sequentially to suggest the travel of a single car in a figure-eight path.
General Web Content
The literal music video started with Dustin McLean's redubbed version of A-ha's "Take on Me" posted to YouTube in 2008, where the lyrics were rewritten and resung to reflect the actions taking place in the video. McLean's Weird Al Yankovic-inspired humor gave way to a number of similar spin-offs, whose jokes often hinge on the goofy and random imagery found in music videos. See below for a few choice clips - please add your links in the comments section.
I Love Alaska (2008) - Lernert Engelberts & Sander Plug
August 4, 2006, the personal search queries of 650,000 AOL (America Online) users accidentally ended up on the Internet, for all to see. These search queries were entered in AOL's search engine over a three-month period. After three days AOL realized their blunder and removed the data from their site, but the sensitive private data had already leaked to several other sites.
I love Alaska tells the story of one of those AOL users. We get to know a religious middle-aged woman from Houston, Texas, who spends her days at home behind her TV and computer. Her unique style of phrasing combined with her putting her ideas, convictions and obsessions into AOL's search engine, turn her personal story into a disconcerting novel of sorts.
Slim Thug Status Bot (2005) - Cory Arcangel

Slim Thug Status Bot was a bot RSG and I wrote that would let you know if Slim Thug's album "Already Platinum" had gone platinum yet.......It was located on AIM as "SlimThugPlatinum". I eventually had to take it offline cause it was burning up server and taking up like 99% of the processor. I think it cause got in a bot loop with another bot. (ps - also special thx to michael bell smith)
Required Reading

Art21's blog posted an interview with artist Sam Gould of Rhizome-commissioned collective Red 76 yesterday. Gould discusses the unique pedagogical models used in Red 76's projects, and the willingness on the part of a number of museums to adopt these methods into their programming. See below for an excerpt, full interview here.
The work, in an artistic sense, that I’m involved in creates zones in which to engage your desires, question your efficacy, and imagine a practice outside of the space in question. It is an educational zone, based on experience and within an experience, but it is not the zone or the experience which is the topic of discussion.
Reminder
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Edwin VanGorder