Given that you're reading this article on a blog (a blog that addresses technology, in fact!), you are quite likely familiar not only with the phrase "Web 2.0," but moreover the concept of beta versions. The latter are ideas or applications that are the result of extensive research and yet manage to live an active life despite being defined by their own self-admission of imperfection. The Centre Pour L'Image Contemporaine in Sant-Gervais Geneve has made "Beta" the theme of their 2008 Version Biennial. The show consistently surveys contemporary work in emergent media, but this year's exhibition and related public programs investigate the state of new media art from a perspective of transition. Their position is that the field's been around long enough to have established some standard operating procedures, but there is a question as to where it's headed. More than anything, their question is that of the state of the new media artist. Is she an inventor? Someone for whom the tools are secondary to or primary to their work? Or someone who places technology first or second in their creative practices? In the case of the Centre, their effort is even to expand what we might consider art, by looking at the artfulness with which media and tech skills are applied in different social scenarios. A series of workshops, screenings, performances, and public forums will augment the installed exhibition and seek to flesh-out preconceived notions about issues like real-time communication, disembodiment, virtuality, mobility, and reproducibility that once seemed inherent to new media and yet may now be in need of updating. Meanwhile, the Centre is presenting important works by Vaibhav Bhawsar, Bureau d'études, Coldcenter, John Klima, Golan Levin, Julie Morel, Esther Polak, Andrea Polli, Tania Ruiz, Mizuki Watanabe, and many others ...
Transmission Arts non-profit free103point9 have announced a new distribution grant for New York State artists working in film, video, sound, new-media, and media-installation. The grant will assist artists in making their work available to public audiences, and applicants may request funding of up to $10,000. Deadline is December 31, 2008. For more information, click the link below.
Machine Project's Mark Allen discussed their massive undertaking in an interview Rhizome published last week, but in case you missed it, this Los Angeles interdisciplinary non-profit arts organization will be taking over LACMA tomorrow for a full 10 hours. With over 60 separate projects, the program is ridiculously elaborate, so I suggest you view the full schedule here. Let's see...the Center for Tactical Magic will exhibit their wand collection, Lewis Keller will do live remixes of LACMA's air conditioning system, Walter Kitundu and Robin Sukhadia will play tabla within Richard Serra's sculpture, one workshop will invite visitors to make replicas from the Classical sculpture collection using the museum's trash, while another will crochet birds to accompany Chris Burden's Urban Light....This is going to be awesome. I mean, a few weeks ago they were auditioning for the "ultimate black/speed/grind/doom metal guitarist" to perform hourly under a gothic arch viewable from LACMA for the project. Seriously -- so cool! I wanna go!
Statement: Since ancient times cartography has been used to describe the world as a geometric ensemble of measurable points, lines, areas and data-labels on a plane. While the world slowly fades away in an increasingly multiplication of self-representations, the map making process - missing its real reference - becomes nothing more than an empty-meaning abstract practice: so, what do all those maps stand now for?
In order to disclose this contradiction - or just to give a paradoxical point of view about it - the imaginary art-group Les Liens Invisibles has explored the world along its self-referential techno-linguistic layers, moving through its hidden mechanisms and forcing the grammar of its public-released API code.
This project was commissioned by LX 2.0 - a project by Lisboa 20 Arte Contemporãnea and curated by Luis Silva
Artist's Statement: A video demonstration of a classic Experimental Philosophy experiment on "The Concept of Intentional Action" (AKA the "Knobe Effect"). Comedian Eugene Mirman narrates.
Rhizome's Curator-at-Large and Staff Writer Marisa Olson recently curated the online segment of the exhibition "OURS: Democracy in the Age of Branding," which is currently on view in New York City at Parsons' Anna-Maria and Stephen Kellen Gallery at the Sheila C. Johnson Design Center. The exhibition, on a whole, looks at how democracy has become situated as a consumer brand in order to disseminate American values worldwide. The online portion of the show specifically examines subversive strategies emergent from network culture, and how these methods may produce and disseminate ideas that may work against the sway of branding. In light of the recent success of Barack Obama's campaign for presidency, largely due to Web-based grassroots organizing, the scope of "OURS: Democracy in the Age of Branding" seems to take on a whole new significance. Given this backdrop, I wanted to speak with Marisa about some of the fundamental questions asked by the exhibition. - Ceci Moss
Many of the projects in the online portion of "OURS: Democracy in the Age of Branding" are a direct response to the troublesome policies of the Bush Administration, whether it be the divisive rhetoric of "Us" vs. "Them" as seen in Steve Lambert's WhyTheyHate.US or war propaganda as in Joseph DeLappe's Dead-In-Iraq. Now that Obama has been elected president, do you think the tone of politically minded art will change? Working on this show, do you have any sense of what that change might be?
It's funny, a lot of people have been asking me this. One person asked me if there's no longer a need for activist art. Of course there is! I think there's a sense of relief and excitement about Obama's election, but I think things will only gain momentum. What's ...
Rhizome staff writer Ed Halter posted a bootleg recording of Cory Arcangel's lecture/performance "Continual Partial Awareness" on Friday to his blog this morning. See above. For those so inclined, imeem also allows you to download it as a ringtone. We will post an entire video of the performance to Rhizome's Video and Vimeo pages soon.
Digital Arts and New Media (DANM) Technical Coordinator