Posts for 2008

One Mile Scroll (2008) - Daniel Eatock

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"The One Mile Scroll transforms virtual space into an actual, physical distance. Take your computer for a scroll."

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  • Stephan Dillmuth, Nils Norman, "You Have Been Misinformed" at Reena Spaulings, NYC- Considering the events of these past few weeks, the timing of this exhibition is a bit uncanny. Show closes this weekend. "Reinterpreting some of the formal elements of an obsolete modernist plaza in NYC's financial district - 77 Water Street - the artists invoke some of the more glamorous days of Manhattan, when arts and financial markets started with a certain optimism to weave the global fabric. Plopped into the "Plaza" is an installation of video fragments that recreate articles and quotes from the Financial Times and the International Herald Tribune as performance pieces reporting on art finance, the credit crunch and the new class of mega-rich art patrons...As public spaces have become privatized, the arts have entered a new phase, becoming merely another alternative asset of dubious financial schemes and speculations. The installation and videos reflect upon these developments and the connections between the declarations of Sotheby's chief executive Bill Ruprecht, the machinations of Ukrainian industrial entrepreneur Victor Pinchuk and the mad apocalyptic ravings of CNBC financial pundit Jim Cramer."
  • Ryoji Ikeda in Paris, Autumn 2008- "Forma announces a series of new and existing works by Japanese artist Ryoji Ikeda presented in Paris this Autumn...Commissioned by the City of Paris, Ikeda's major new work spectra [paris] for Nuit Blanche, the City's annual 'white night' all-night contemporary arts festival, sees blinding white light beamed from scores of highly powered architectural lamps on the same plaza as Tour Montparnasse. Visitors' movements create a unique symphony of ultra pure sine soundwaves as they pass through the grid of white light."
  • apexart FRANCHISE- Apexart takes on the franchise model in this unique open call: "apexart wants to come to you. Any city, any town, anywhere in the ...
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    You have entered a maze of twisty twisty passages all alike! (TRAPPED!!!) (2008) - Nathan Hauenstein

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    Art + Environment Conference at the Nevada Museum of Art

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    "Art + Environment," a three-day conference starting this Thursday at the Nevada Museum of Art, in Reno, assembles artists, scientists, designers, and thinkers to discuss overlaps between nature and culture. Conference Lead Moderator William L. Fox draws parallels between experiments of the 1960s, in which scientists "began crossing disciplines to understand how environments work," and the various ways contemporary practitioners are engaging the "natural, built, and virtual environments in which they work," from sculptors using earth as an artistic material, and architects assuming the role of digital cartographers, to painters and photographers taking agriculture as their subject matter. The vast, unpredictable potential of these current strategies makes Nevada a perfect host, Fox adds, given its own history as both "a playground and a dumping ground": a locus of consumer excess and military secrecy. The conference program features a panel of artists and scientists, including Lita Albuquerque and Chris Drury, who have worked in extreme environments; a conversation with photographer and Burning Man veteran Michael Light on the effect media and art-world attention is having on the gathering; and a talk by the San Jose Museum of Art's Senior Curator JoAnne Northrup on the art of Jennifer Steinkamp, Northrup authored Steinkamp's 2006 monograph and curated a recent touring exhibition of her work. The digital technology and naturalistic content of Steinkamp's immersive, moving-image installations make them a perfect subject of inquiry for this ambitious conference. - Tyler Coburn

    Image: Michael Light, Barney's Canyon Gold Mine Looking South, Near Bingham Canyon, Utah, 2006

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    Ibis redibis non morieris in bello (2006) - Claire Fontaine

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  • White House Redux at Storefront for Art and Architecture- Exhibition of results from the Storefront for Art and Architecture's "White House Redux" competition opens on Thursday. Earlier this year, the New York-based non profit put out a call for ideas and designs in response to the question, "What if the White House, the ultimate architectural symbol of political power, were to be designed today?"
  • Finishing School's "Executive Order Karaoke" at MOCA's Engagement Party- Also on Thursday, the collective Finishing School will stage "Executive Order Karaoke" as part of MOCA's ongoing series Engagement Party. "Featuring special guest host Tammy Tomahawk, Executive Order Karaoke is a public action in which participants are invited to sing their favorite mixes of George W. Bush's executive orders to popular music. Finishing School will award a cash prize for the best act."
  • Richard Dupont on NewArtTV- Studio visit with Richard Dupont on NewArtTV, "New York artist Richard Dupont believes that the processing of information in the digital age can affect the way we view the physical world. Informed by that idea, Dupont uses 3D computer scans of his own body to add a new dimension to figurative sculpture."
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    Credits Never Ending (2006) - Li Xin and Eirik Fatland

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    ""Credits NeverEnding" is an interactive TV program, created for Finnish television channel Dina. Credits NeverEnding is intended for television's off hours, and was developed as part of a project to produce intentionally boring TV... The names and titles on the list come from the viewers themselves. A viewer with the right mix of attentiveness and time to kill will eventually discover the URL of the website where new credits may be entered. Viewers enjoy nearly total freedom to shape the neverending credits, including promoting themselves. Nothing is true until it is on television."

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    Continually Redefining Game Art

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    No longer mere distractions cooked-up by programmers as a form of light relief in the early days of computers, video games have evolved into a variety of forms and have had a wide impact on multiple generations. To some extent, the same can now be said of art that addresses video games, the visual complexity and conceptual richness of which has grown with the medium. An exhibition guest-curated by artists Marcin Ramocki and Paul Slocum at Arthouse explores "the history, control mechanisms, political and art-historical implications of electronic games" by surveying both better-known and more emerging practitioners of game-related art, including Cory Arcangel, Michael Bell-Smith, Mike Beradino, Brody Condon, Alex Galloway, JODI, Guthrie Lonergan, Kristin Lucas, Joe McKay, Michael Smith, Eddo Stern, and Keita Takahashi. RESET/PLAY is up through November 2nd and is accompanied by a series of public events that includes a night of video game competitions and a performance by New York-based sound artists Loud Objects. - Marisa Olson

    Image: Brody Condon, Judgment Modification (After Memling), 2008 (Courtesy of the artist and Virgil de Voldère Gallery, New York, NY)

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    Moonwalk (2008) - Pash*

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  • Digimag 37 September 2008- September issue of online Italian digital culture and electronic arts magazine Digimag is now available in English. There's a lot in this issue- reports from ISEA 2008 and "Machines & Souls" at Reina Sofia, lengthy interviews with Juliene Maire, Geoff Cox, Maurizio Bolognini, Bruce McClure, and much more.
  • Cape Farewell- "Cape Farewell pioneers the cultural response to climate change. Working internationally, we bring artists, scientists and communicators together to stimulate the production of art founded in scientific research. Using creativity to innovate, we engage artists for their ability to evolve and amplify a creative language, communicating on a human scale the urgency of the global climate challenge. Cape Farewell is widely acknowledged to be the most significant sustained artistic response to climate change anywhere in the world."
  • joanne richardson talk on d media- On October 6th, mikrogalleriet in Copenhagen will host a talk by activist and artist Joanne Richardson on her involvement with the Romanian activist and digital culture organization d media.
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