Richard Rinehart:
Center for New Media, University of California, Berkeley.
Berkeley's cross-disciplinary Center for New Media is seeking highly qualified candidates for a tenure-track faculty position at the Assistant Professor level beginning July 1, 2007, pending budgetary approval.
The Center for New Media, founded in 2004, focuses on the growing set of representational technologies that emerge from the paradigm of computation. The Center investigates the ways that new media have changed social and individual experience, and to anticipate and impact the future of digital media. The CNM combines research perspectives from art, technology, design, and the humanities. It has several full-time faculty and over 100 affiliated faculty representing 31 departments across campus. The Center offers graduate and undergraduate courses, a Designated Emphasis in New Media at the PhD level, and a variety of lectures, special events, and symposia.
Applicants should demonstrate scholarly command of the history and critical theory of New Media via written publications and experience with cross-disciplinary dialogue across divisions. Special attention will be paid to applicants with skills in designing and implementing innovative systems, games, artworks, or other modes of scholarly communication that explore contemporary issues.
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Originally posted on Rhizome.org Raw by Richard Rinehart



When one speaks of 'open source culture,' they are typically referring to the social conditions created in an atmosphere of sharing. Open source software is not only freely available, its source code is also revealed to encourage collective authorship, improvement, and personalization. The increasing popularity of such publishing contexts has led to a broader movement of activists, coders, lawyers, artists, and others questioning contemporary copyright law, and challenging the 'code' that prohibits collaboration. American sound artist Demon Doctor carries these concerns over into his work, equating music with language and sounds with letters, ultimately asking 'who owns the alphabet.' For his new album, 'Onliness v1.0.1,' the artist sampled public archives of ethnographic recordings, found phonography, and film scores, and reprocessed them using analog and digital synthesizers to create twenty-one new brick-hop and trancehall tracks. 'Onliness' premieres at Boston's Samson Projects on Saturday, November 11th, where Demon Doctor will collaborate with DJ Spase1, in a series of live interpretive mashups, carrying the open source ideal into a performative realm. Needless to say, the entire album is freely downloadable, so readers can remix the tracks for themselves. - Marisa Olson

Gloria Sutton