What happens when new media art isn't new any more? Michele Thursz, former director of the Moving Image Gallery in New York, has developed the Post Media Network to address the evolution of computer-based artwork. Featuring artist projects and dialogues between artists (including such noted Net artists as Andy Deck, Fakeshop, and Michael Mandiberg), the site documents shows and presents analysis.
The second "Art Servers Unlimited" gathering begins tomorrow in Labin, a small town on the Croatian coast. For a week, several of the world's leading media art organizations--from Budapest's C3 to New York's The Thing--will meet to discuss tools and techniques for the digital arts. The gathering will pick up threads originally discussed in 1998 in London, the site of the first Art Servers Unlimited meeting.
A self-described "dysfunctional browser," Reconnoitre is a downloadable application that transforms the Web into a 3D visual environment. The cocreators of this software, Tom Corby and Gavin Baily, call their artwork a "journey of surprise." Reconnoitre will let you follow an associative path through the network, a path which accentuates chance connections and unseen links. Sorry Mac users, only a Windows version is currently available.
Ever noticed that the Rhizome Logo never looks the same twice? The logo that appears in the top left section of our website is an example of generative art. It is generated "on the fly" each time it is viewed, depending upon the IP addresses of the last four people to visit the website. The logo was designed by Markus Weisbeck and Frank Hauschild of Surface.de. Check it out, we think it's pretty cool.
David Ross has resigned as Director of the San Francisco Museum of Modern Art, reported the New York Times on August 18th. During his tenure Ross led the museum in new curatorial directions, including the landmark exhibition 010101 which featured net art projects from Mark Napier, Entropy8Zuper!, and others. Ross is former director of the Whitney Museum of American Art in New York.
In the net art piece "TimeStream," the first online work by video artist Tony Oursler, a website is turned into a dark, mysterious environment where flickering, ghostly faces serve as elements of the homepage's user interface. Oursler's site -- the first work of net art commissioned by New York's Museum of Modern Art -- allows visitors to explore such varied topics as ancient Egyptian modes of communication, the camera obscura, cathode-ray tubes, and X-ray devices -- a loose history of media.
Ars Electronica, considered one of the world's premier showcases of new media art, opens this weekend in Linz, Austria. This year's theme is "Takeover: Who's Doing the Art of Tomorrow." Interactive art, Computer Animation, and innovative Web sites will compete for the coveted Priz Ars Electronica, a highlight of the festival, which takes place through September 6.
Join Adrian Ward, creator of the Signwave Auto-Illustrator Software, as he tackles the question "Is Creativity Programmable?" at a presentation in Berlin this Friday. Ward was co-winner in the Software Art category at the last Transmediale festival, which is sponsoring the event. Auto-Illustrator is a generative art application that is losely based on Adobe's widely used graphic design tool Illustrator. The presentation starts at 2pm on Friday, 31 August at Cinemas Kulturbrauerei in Berlin, Germany.
Wolfgang Staehle, a pioneer in the field of Net art, will have his first solo exhibition in New York in a decade at Postmasters Gallery, a venue that specializes in new media art. A native of Stuttgart, Germany, Staehle relocated to New York in 1976, where he worked as a video artist. In 1991 he founded THE THING, an independent bulletin board system (BBS). It became one of the first online forums for new media art. Stay tuned to see what Staehle will present to the offline public at Postmasters.
Between August 24 and 26, net art became an element of political activism -- or, shall we say, hacktivism, even if only in a metaphorical sense -- at the border of California and Mexico. The second annual "Borderhack" event offered net art, ISDN connections, conferences and workshops at the Playas de Tijuana, near the physical area considered the division point between the first and third worlds -- and where the ocean meets land. The physical encampment symbolized the "hacking" and "deleting" of the man-made borders.