The Brooklyn Academy of Music will be presenting "Listening Post," a net art installation/performance, as part of a series of new media art. The piece, by sound artist Ben Rubin and statistician Mark Hansen, dares to ask what the collective voice of the Internet sounds like. Together, they'll try to transform collective online activity and communication into a multi-layered sound installation by monitoring thousands of online exchanges in real time to pick up rhythms, harmonies, melodies. The installation's on view from Dec 6-16. (Check BAM for performance times.)
Debuting on December 1: The Information Technology Association of Canada. The Ottawa-based organization will officially launch along with an online gallery. The site will feature Canadian artists experimenting with new media, including Jim Andrews, a programmer/mathematician who develops new forms of multimedia music, and Mark Rudolph, a Java designer and interactive 3D artist -- both featured in the website's inaugural show.
Olia Lialina is a one of the more recognized names in net.art; as the U.S. is engaged in the war on terrorism, now is a particularly poignant time to revisit her piece 'My Boyfriend Came Back from the War.
Okay, it may be "old news" that Rhizome.org supports media art -- but now Rhizome's just launched its first net art commissioning program. Artists are invited to submit proposals in one of two categories: interface artworks (fresh ways to access content and databases) and tactical response works (pieces that address political situations around the world, in particular the events of September 11, 2001). The deadline to apply for either of the $5,000 commissions is February 15, 2002.
Net artist Prema Murthy's web project "Bindigirl" explores tele-erotics and intimacy. Bindi is the name of the artist's online alter-ego. (The name refers to the dot that Hindu women wear on their foreheads to signify that they are married.) The character Bindi is a construct of fe/male desire, fashioned from of what is popularly deemed "exotic" and "erotic."
Today, TAYSTES.net debuts in the form of an installation at the Cornerstone Gallery in Manchester, England. The piece, by artist Jenny Marketou, is a multi-user, networked, open source tool designed to give the user unlimited access to the intimate world of networked communication infrastructures such as webcams, chat rooms, and flows of information via surveillance networks. The user can tweak data found from these sources. The piece was influenced by Marketou's earlier well-known work, "Smell.bytes" (TM).
The Net art collective 0100101110101101.org, known for disseminating viral code and making their computer files public, has just revealed its transmission statistics...as propaganda...or as an art piece? For the month of October, there were 13,647 visits; 11,383 downloaded files; 8,731 unique visitors; and 6.7 pages seen per average visit. More stats are available on the collective's site, of course.
"The Lair of the Marrow Monkey" is an interactive Web narrative by Erik Loyer that incorporates game interfaces in complex new ways. Consisting of nine chapters, the piece follows a "vision quest" with twists and turns involving a search for...magical marrow. The San Francisco Museum of Modern Art was so impressed, its curators have made the website part of the institution's permanent collection.