We’re thrilled to announce today that the Andrew W. Mellon Foundation has awarded Rhizome a $1 million grant to underwrite the next phase of development of Webrecorder, our platform to create and share fully interactive, high-fidelity archival copies of websites past and present. This largest gift in Rhizome’s history will support Webrecorder’s implementation in institutional contexts, while upgrading capture and usability for all users. We’re proud to offer this innovative, open-source service free-of-charge at https://webrecorder.io—take it out for a spin! (Or check out the code.)
You may have noticed that “Software” tab appear in our redesigned header. This is merely formalizing a program thread—software development—that is core to our multi-tiered support of born-digital art and culture, and embodied in Webrecorder. This is also a longtime commitment, dating back to the development of rhizome.org (then .com!) in 1996, the ArtBase in 1999, the various ArtBase interfaces thereafter, and various projects involving the Emulation as a Service framework, among other significant code-based endeavors.
This program is led by preservation director Dragan Espenschied and software director Ilya Kreymer, who conceived the Webrecorder initiative. Along with what’s next for this effort, we’re excited to welcome archivist and educator Anna Perricci as Associate Director, Strategic Partnerships, and a “Co-Principal Investigator” on the Mellon grant, along with Dragan and Ilya. Anna will be focused on growing Webrecorder's user base and helping it become recognized as an indispensable tool in web archiving practice broadly. She’ll join an already stellar WR team, with Mark Beasley, our multi-talented software engineer, and Pat Shiu, who is tasked with creating a voice, aesthetic, and identity for a product without much precedent. (We’re also hiring a new backend developer—applications due January 16!)
Rhizome uses Webrecorder to preserve and present born-digital art, including the works in Net Art Anthology, our online exhibition retelling the history of net art. Other active users include institutions such as the New Museum, the Frick Art Reference Library, Posters Network at the Victoria & Albert Museum, the Indianapolis Museum of Art and Newfields, the Stanford University Press, the City University of New York, and the National Film Board of Canada; the activist groups NetFreedomPioneers and Documenting the Now; and the artist studios of Cory Arcangel and Constant Dullaart.
We complement the Webrecorder initiative with research into the cultural impact of web archiving and preservation practices, research referred to at Rhizome as “Digital Social Memory.” With support from the Institute of Museum and Library Services and Knight Foundation, we’ll host the Ethics & Archiving the Web conference at the New Museum in March 2018. EAW is being planned in collaboration with the Documenting the Now project at the University of California at Riverside Library and the Maryland Institute for Technology in the Humanities.
For now, we are extraordinarily grateful to the Mellon Foundation for their continued support of the Webrecorder initiative. And we’ll be sure to share what’s happening with this major undertaking as it develops.