Here are pyrotechnics of the keyboard, but with only a camera to "play the tune." To make this film, Norman McLaren employed novel optical techniques to compose the piano rhythms of the sound track. These he then moved, in multicolor, onto the picture area of the screen so that, in effect, you see what you hear. It is synchronization of image and sound in the truest sense of the word.
Our weekly email newsletter including featured stories, events, job listings, announcements and opportunities in the fields of art & technology.
by Nora N. Khan on Aug 27th, 2015
by Anton Haugen on Aug 26th, 2015
by Jonah Brucker-Cohen on Aug 20th, 2015
by Lucas G. Pinheiro on Aug 14th, 2015