Here are pyrotechnics of the keyboard, but with only a camera to "play the tune." To make this film, Norman McLaren employed novel optical techniques to compose the piano rhythms of the sound track. These he then moved, in multicolor, onto the picture area of the screen so that, in effect, you see what you hear. It is synchronization of image and sound in the truest sense of the word.
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by Text by Arjun Srivatsa; artworks by Eltons Kūns, Giselle Zatonyl, LaTurbo Avedon on Jan 29th, 2015
by Nora N. Khan, Laura Greig, and Alexander Iadarola on Jan 27th, 2015
by Ceci Moss on Jan 20th, 2015