This is a example of early video art using the color capability of the Sandin Analogue Image Processor - the "Color IP".
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Dennis | Sun, Sep 27th, 2009 1:40 p.m.Awesome. And 10 years later we got Max Headroom.
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Rhizome Editorial
Editor:
Editorial Fellows:
Louis Doulas, Yin Ho
Research Assistant:
Alex Freedman
Poetry Editor:
Brian Droitcour
Editor-at-Large:
Karen Archey
Contributing Writers:
Orit Gat, Jason Huff, Jacob Gaboury, Sarah Hromack, Ceci Moss, Ed Halter
by
Brian Droitcour
on May 8th, 2012
by
Rhizome
on May 7th, 2012
COPY-IT-RIGHT: the Phil Morton Memorial Research Archive - jonCates (2007 - present)
http://copyitright.wordpress.com
// jonCates
Assistant Professor
Film, Video & New Media
The School of the Art Institute of Chicago
http://systemsapproach.net
* criticalartware was a collaborative media art histories research & artware development lab based in Chicago from 2002 - 2007. we interviewed + facilitated discourse between Kate Horsfield, low-fi, Sherry Miller Hocking, Peter Luining, Dan Sandin, Josh Goldberg, Jane Veeder, Josh Kit Clayton, Tom Betts, Golan Levin, Olga Goriunova, Alexei Shulgin, matthew fuller, Rene Beekman, Joe Gilmore, Simon Yuill, Sergey Teterin, LoVid, JODI, FM3 + Netochka Nezvanova to name a few. @ the turn of the 21rst century we defended + proposed hyperthreaded hystories of [connections/ruptures/dislocations] between early moments of Artware + other instruction sets such as Fluxus, Conceptualism, early Video Art, etc...
from 2007 - present, criticalartware is an artware demo crew from Chicago. we can be found @ NOTACON + BLOCKPARTY + online: http://criticalartware.net