Caitlin Jones is the Executive Director of the Western Front Society in Vancouver, BC. Prior to this appointment she had a combined curatorial and conservation position at the Solomon R. Guggenheim Museum, and was the Director of Programming at the Bryce Wolkowitz Gallery in New York. A key member of the Variable Media Network, Caitlin has also been responsible for developing important tools and policy for the preservation of electronic and ephemeral artworks. She has been a contributor to Rhizome and her other writings have appeared in a wide range of exhibition catalogues, periodicals and other international publications.
► The Real Thing« curated by VVORK
VVORK taking it to the next level.
► Donk -- Music World.
Never thought I would be so into something that Vice Magazine was responsible for, but this documentary is fantastic.
Thanks Michael Bell-Smith for telling me about it.
► The Bichon Frisé in Art @ Art since the Summer 69
http://www.artsince69.com/index.php?/upcoming/the-bichon-frise-in-art/
http://bingweb.binghamton.edu/~eshephar/bichoninart/bichoninart.html
C-U-T-E
► See This Sound
http://www.lentos.at/en/45_1769.asp
http://beta.see-this-sound.at/
One of the best "historical" shows I've seen in years.
► Digital Folklore Reader
(full disclosure, I worked as an editor on this book)
Smart, original and has unicorns on the cover.
Edited by Olia Lialina & Dragan Espenschied
Designed by Manuel Buerger
Texts and projects by: Cory Arcangel, Julia Böger, Manuel Buerger, Helene Dams, Dragan Espenschied, Jörg Frohnmayer, Mark Grimm, Christopher Heller, Yunchul Kim, Dennis Knopf, Stefan Krappitz, Florian Kröner, Tobias Leingruber, Olia Lialina, Leo Merz, Bernadette Neuroth, o+ro, johannes p osterhoff, Isabel Pettinato, Michael Ruß, Theo Seemann, Alexander Schlegel, Bert Schutzbach, Siegfried Zielinsky