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Long before flash mobs, liveblogging, and file-sharing were part of the vernacular, artists were creating social sculptures and elaborate systems for public collaboration. The upcoming SFMOMA exhibition, "The Art of Participation: 1950 to Now" takes a sweeping look at work that addresses co-authorship, exchange, and rapidity--all themes we associate with life in a digital society, but which the show traces back within a post-war art historical context. Organized by the museum's new media curator, Rudolf Frieling, the show includes works ranging from groundbreaking projects by Vito Acconci, John Baldessari, John Cage, Felix Gonzalez-Torres, Dan Graham, Hans Haacke, Lynn Hershman, Yoko Ono, Nam June Paik, and Andy Warhol, to contemporary work by Jonah Brucker-Cohen, Janet Cardiff, Minerva Cuevas, Antoni Muntadas, the Raqs Media Collective, Warren Sack, and Erwin Wurm. The show also casts a glance at the ways in which the title's theme has evolved with communicative media. Take, for instance, the old-fashioned gesture of audience participation. Tom Marioni's legendary public project The Act of Drinking Beer With Friends Is the Highest Form of Art offers an intoxicating stance on the act, while MTAA's Automatic for the People: ( ) allows you to vote on the theme, props, and even subtitle of a performance they'll publicly enact at the museum on November 7th. If you can't make it to San Francisco to see the show and participate live, you can, of course, get in on the act with the online works. Because, really, the show's nothing without you. - Marisa Olson

Image: Lygia Clark, Diálogo: