I first encountered the writing of Alex Munt while doing research for a post on David Lynch last summer. While googling various ephemera related to Lynch's recent work I came across the article Inland Empire: The Cinema in Trouble?, which stopped me dead in my tracks. This text, which Munt penned for Flow TV, is indicative of his dynamic reading of cinema and related analysis of emerging methods of production and distribution. Alex is a Lecturer in the Media Department at Macquarie University (in Australia) and his focus is on digital low-budget cinema and new directions in screenwriting and feature filmmaking. Alex and I have been emailing back and forth for the last several weeks and the transcript that follows provides a fascinating window into his research.

One of the most recognizable characteristics of your writing about film is that you spend quite a bit of time "off the screen" addressing new means of distribution (i.e. youtube) and production techniques (i.e. pro-am gear). A binary that turns up in your Feature Film: A 'You Tube Narrative Model' article is the divide between 'Elite Digital' and 'Democratic Digital'. Could you discuss the difference between these paradigms and speculate as to what commercial cinema can learn from Youtube?

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