Depending upon the utopian or dystopian narratives to which you might subscribe, the internet is a bit like heaven or hell--with the pearly gates of cyberspace welcoming you to a world where you want for nothing or a fiery apocalyptic dungeon big enough to house all your nightmares. Either vision is intense and exactly the sort of stuff that religious iconography was once made of; yet the wide distribution of devotional messages broadcast on the web seems only to have cast a dim shadow upon the net art community. More recently, spiritualities new age and old school have been forceful fodder in contemporary art, while glossing over a true connection to the divine. Italian curator Domenico Quaranta suggests, "take Martin Kippenberger's crucified frog, for instance, or the cross submerged in the urine of Andres Serrano, or Maurizio Cattelan's Nona ora, or the Virgin Mary blackened with elephant dung by Chris Ofili, or Vanessa Beecroft's recent Madonnas. All of these works are undoubtedly imbued with their own form of 'sacredness,' yet they would hardly be hung in a church." Quaranta's exhibition, "For God's Sake," installed now at Nova Gorica, Solevenia's 9th annual Pixxelpoint festival, looks at the simultaneous increase in religion-themed work and the ever wider distribution of mass-mediated sermons and religious messages, through new technologies. The question is whether this amounts to an increase in religious devotion, or rather a diluted or muddied conflation of spiritual values in a time of mixed forms and mixed messages arriving in convergent media. As with ZKM's "Medium Religion" show, which we covered last week, Quaranta's show (and in particular his poignant curatorial statement), look at attitudinal shifts parallel to media developments. The long list of international media artists he's selected present us with mostly web-based works that offer insight into the present status of the sublime and the potency of devotion, on the internet--whether their subject is G-O-D or Andy Warhol, whether they are revering the ancient form of the crucifix or the moon walk. The show is only up through December 12th, but images and more information about each work can, of course, be found online. - Marisa Olson
Image: Markus Kison, Crucifixion, 2006, Installation.