by Jane Crayton aka JanedaPain
"Art as crime; crime as art." Hakim Bey
One of the most relevant statements made about art by a man who walked the line of expressionism. Hakim Bey, did he see the future, or did he contemplate the past, a combination of both I would guess.
The word guerrilla is a word of Spanish descent (guerra, meaning war) first used to describe the Spanish-Portuguese guerrilleros (insurgents). Guerrilleros have existed through out time often in defense of some wrongs imposed to a group of less represented and defended peoples. They often fight a foreign invader or a ruling government and crimes against humanity. In the modern world we have seen these same groups and individuals come out in a new form of guerrilla tactics that is often non-violent and thought provoking art. Unfortunately in the post 9/11 era we are now limited in our expressions, for fear that they may be considered terrorism and not art. Mind you some of these artist push the line, evacuating neighborhood and closing down cities, all in the name of their art projects and political views. But is it the over reaction of our post 9/11 era that has taught us to react with such eager and violent haste, and condemn the works of these political artist?
Is it the art or the tactics, that deliver the fear that resonates in the unaware and suddenly captured audience? That sudden and captured audience today can be an over alerted citizen or government workers. With the heightened threat of terrorism and the orange security levels at the airports, we are all being programmed that we are never to be safe again. And what a great subject for an art project, huh? Artist around the world are finding them selves in precarious positions, and having to explain themselves to courts around the world and defend their art. These artist are the guerrilla artist of the 21st century. But are they justified in their use of guerilla tactics for making their statement? Is this a struggle to control the people and their freedom of expression? Where do we need to draw the lines for artist and government?
Originally posted on networked_performance by jo